<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4062454869920154594</id><updated>2012-02-19T18:18:53.031+02:00</updated><category term='Modernism'/><category term='Ideogram'/><category term='Paul Rand'/><category term='Milton Glaser'/><category term='Antiphonal'/><category term='Pottery'/><category term='Rare Books'/><category term='China'/><category term='Alphabet'/><category term='Geometry'/><category term='Mehmed Siyah Qalem'/><category term='Advertising'/><category term='Diagrams'/><category term='Neoclassicism'/><category term='Computer'/><category term='Nostalgia'/><category term='Illuminated Manuscript'/><category term='Data 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term='Greece'/><category term='20th Century'/><category term='Anonymous'/><category term='Calligraphy'/><category term='Web Design'/><category term='Crafts'/><category term='Cartography'/><category term='Audubon'/><category term='Mesopotamia'/><category term='Letterform'/><category term='Textile'/><category term='Writing'/><category term='Hiroshige'/><category term='Shakespeare'/><category term='Denis Diderot'/><category term='Anatomical illustration'/><category term='Miniature'/><category term='Industrial Revolution'/><category term='Visualization'/><category term='Woodblock Printing'/><category term='Geofroy Tory'/><category term='Fortune Magazine'/><category term='Music'/><category term='Rosetta Stone'/><category term='15th Century'/><category term='21st Century'/><category term='Tribal'/><category term='Atlas'/><category term='Tapestry'/><category term='Art'/><category term='Pictogram'/><category term='Scientific illustration'/><category term='Charles Rennie Mackintosh'/><category term='Virtual Worlds'/><category term='William Morris'/><category term='Dante'/><category term='Steve Heller'/><category term='Medieval'/><category term='Romanticism'/><category term='William Caxton'/><category term='Engraving'/><category term='Age of the Enlightenment'/><category term='Iran'/><category term='3D'/><category term='Icon'/><category term='Cats'/><category term='Dada'/><category term='Francesco Griffo'/><category term='Ephemera'/><category term='Art Deco'/><category term='Ellen Lupton'/><category term='Flickr'/><category term='Exhibition'/><category term='Mask'/><category term='Emblem'/><category term='Christianity'/><category term='African'/><category term='Mythology'/><category term='Material'/><category term='Biological Drawing'/><category term='Typography'/><category term='11th Century'/><category term='Manuscript'/><category term='Glasgow School'/><category term='Americana'/><category term='Steampunk'/><category term='Paula Scher'/><category term='Vignette'/><category term='Avantgarde'/><category term='Pentagram'/><title type='text'>visual communication history blog</title><subtitle type='html'>Resources... Bookmarks... Curios... compiled by the author of the same named website...</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>100</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3743184360511743227</id><published>2012-01-01T14:14:00.002+02:00</published><updated>2012-01-01T14:16:51.547+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Vintage'/><category scheme='http://www.blogger.com/atom/ns#' term='Victoriana'/><category scheme='http://www.blogger.com/atom/ns#' term='Ephemera'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>Victoriana Postcards</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Fh9wP3aitoU/TwBMyMDBwxI/AAAAAAAACqo/MOPSFoma3nA/s1600/card00857_fr.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="812" width="510" src="http://4.bp.blogspot.com/-Fh9wP3aitoU/TwBMyMDBwxI/AAAAAAAACqo/MOPSFoma3nA/s1600/card00857_fr.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-v9KjIOzt0g4/TwBMyRBRHLI/AAAAAAAACq0/rYK3q9H6c2M/s1600/card00857_bk.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="321" width="510" src="http://1.bp.blogspot.com/-v9KjIOzt0g4/TwBMyRBRHLI/AAAAAAAACq0/rYK3q9H6c2M/s800/card00857_bk.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Artist: Kyd. &lt;br /&gt;Publisher: Raphael Tuck and Sons. &lt;br /&gt;&lt;br /&gt;More can be seen at cardcow, a commercial site which features a really great collection:&lt;br /&gt;&lt;a href="http://www.cardcow.com/"&gt;http://www.cardcow.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;......................................................................................................................................&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3743184360511743227?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3743184360511743227/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2012/01/victoriana-postcards.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3743184360511743227'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3743184360511743227'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2012/01/victoriana-postcards.html' title='Victoriana Postcards'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Fh9wP3aitoU/TwBMyMDBwxI/AAAAAAAACqo/MOPSFoma3nA/s72-c/card00857_fr.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3472521698417531834</id><published>2011-11-24T19:49:00.003+02:00</published><updated>2012-01-01T14:17:03.981+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Vintage'/><category scheme='http://www.blogger.com/atom/ns#' term='Victoriana'/><category scheme='http://www.blogger.com/atom/ns#' term='Ephemera'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>Vintage Thanksgiving Greeting Card, c.1870</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm8.staticflickr.com/7164/6395475383_d3ce083675_b.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="329" width="510" src="http://farm8.staticflickr.com/7164/6395475383_d3ce083675_b.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;From Centrasian's wonderful Flickr!&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/centralasian/"&gt;http://www.flickr.com/photos/centralasian/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;......................................................................................................................................&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3472521698417531834?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3472521698417531834/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/11/vintage-thanksgiving-greeting-card.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3472521698417531834'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3472521698417531834'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/11/vintage-thanksgiving-greeting-card.html' title='Vintage Thanksgiving Greeting Card, c.1870'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-5074705231238482603</id><published>2011-10-12T18:55:00.009+03:00</published><updated>2012-01-01T14:17:25.853+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Anonymous'/><category scheme='http://www.blogger.com/atom/ns#' term='Pictogram'/><category scheme='http://www.blogger.com/atom/ns#' term='Tribal'/><category scheme='http://www.blogger.com/atom/ns#' term='21st Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Ephemera'/><title type='text'>Hobo Glyphs</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://img.weburbanist.com/wp-content/uploads/2010/06/modern-hoboglyphs-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="532" src="http://img.weburbanist.com/wp-content/uploads/2010/06/modern-hoboglyphs-1.jpg" width="468" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;With special thanks to my gifted graduate student &lt;a href="http://servetulas.com/blog/"&gt;Servet Ulaş&lt;/a&gt; who came across this extraordinary pictogram language, about which you can read more at these links: &lt;/div&gt;&lt;a href="http://desertphile.org/hobo/hobo.htm"&gt;http://desertphile.org/hobo/hobo.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://preparedcitizenwsg.blogspot.com/2011/03/hobo-markings-language-of-survival.html"&gt;http://preparedcitizenwsg.blogspot.com/2011/03/hobo-markings-language-of-survival.html&lt;/a&gt;&lt;br /&gt;&lt;a href="http://weburbanist.com/2010/06/03/hoboglyphs-secret-transient-symbols-modern-nomad-codes/"&gt;http://weburbanist.com/2010/06/03/hoboglyphs-secret-transient-symbols-modern-nomad-codes/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;......................................................................................................................................&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-5074705231238482603?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/5074705231238482603/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/10/hobo-glyphs.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5074705231238482603'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5074705231238482603'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/10/hobo-glyphs.html' title='Hobo Glyphs'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7680178535845729437</id><published>2011-08-03T13:44:00.002+03:00</published><updated>2011-10-12T19:00:23.223+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Engraving'/><category scheme='http://www.blogger.com/atom/ns#' term='Calligraphy'/><category scheme='http://www.blogger.com/atom/ns#' term='18th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='England'/><category scheme='http://www.blogger.com/atom/ns#' term='Baroque'/><title type='text'>A children's primer from 1731</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;i&gt;Fables and other short poems: collected from the most celebrated English authors: the whole curiously engrav’d for the practice &amp;amp; amusement of young gentlemen &amp;amp; ladies in the art of writing&lt;/i&gt;. This is the full title of a children’s primer by John Bickham which was published in 1731. The whole book can be viewed &lt;a href="http://www.archive.org/details/fablesothershort00bickiala"&gt;here&lt;/a&gt; at the &lt;a href="http://www.archive.org/"&gt;Internet Archive&lt;/a&gt;. &lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://ia700502.us.archive.org/BookReader/BookReaderImages.php?zip=/1/items/fablesothershort00bickiala/fablesothershort00bickiala_jp2.zip&amp;amp;file=fablesothershort00bickiala_jp2/fablesothershort00bickiala_0027.jp2&amp;amp;scale=3.839340885684861&amp;amp;rotate=0" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="881" src=" http://ia700502.us.archive.org/BookReader/BookReaderImages.php?zip=/1/items/fablesothershort00bickiala/fablesothershort00bickiala_jp2.zip&amp;amp;file=fablesothershort00bickiala_jp2/fablesothershort00bickiala_0027.jp2&amp;amp;scale=3.839340885684861&amp;amp;rotate=0" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://ia700502.us.archive.org/BookReader/BookReaderImages.php?zip=/1/items/fablesothershort00bickiala/fablesothershort00bickiala_jp2.zip&amp;amp;file=fablesothershort00bickiala_jp2/fablesothershort00bickiala_0053.jp2&amp;amp;scale=3.839340885684861&amp;amp;rotate=0" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="881" src="http://ia700502.us.archive.org/BookReader/BookReaderImages.php?zip=/1/items/fablesothershort00bickiala/fablesothershort00bickiala_jp2.zip&amp;amp;file=fablesothershort00bickiala_jp2/fablesothershort00bickiala_0053.jp2&amp;amp;scale=3.839340885684861&amp;amp;rotate=0" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;......................................................................................................................................&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7680178535845729437?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7680178535845729437/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/08/childrens-primer-from-1731.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7680178535845729437'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7680178535845729437'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/08/childrens-primer-from-1731.html' title='A children&apos;s primer from 1731'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3761149683140437942</id><published>2011-06-22T15:27:00.004+03:00</published><updated>2011-06-22T15:32:21.337+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Calligraphy'/><category scheme='http://www.blogger.com/atom/ns#' term='Iran'/><category scheme='http://www.blogger.com/atom/ns#' term='21st Century'/><title type='text'>The calligraphic posters of Mohammad Jamshidi</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.vitrinrooz.com/admin/ex/2/VitrinRooz%D9%85%D8%AD%D9%85%D8%AF%20%D8%AC%D9%85%D8%B4%DB%8C%D8%AF%DB%8C2g1g.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="542" width="386" src="http://www.vitrinrooz.com/admin/ex/2/VitrinRooz%D9%85%D8%AD%D9%85%D8%AF%20%D8%AC%D9%85%D8%B4%DB%8C%D8%AF%DB%8C2g1g.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.vitrinrooz.com/admin/ex/2/VitrinRooz%D9%85%D8%AD%D9%85%D8%AF%20%D8%AC%D9%85%D8%B4%DB%8C%D8%AF%DB%8C2g31g.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="542" width="386" src="http://www.vitrinrooz.com/admin/ex/2/VitrinRooz%D9%85%D8%AD%D9%85%D8%AF%20%D8%AC%D9%85%D8%B4%DB%8C%D8%AF%DB%8C2g31g.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.vitrinrooz.com/admin/ex/2/VitrinRooz%D9%85%D8%AD%D9%85%D8%AF%20%D8%AC%D9%85%D8%B4%DB%8C%D8%AF%DB%8C2g43g.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="542" width="386" src="http://www.vitrinrooz.com/admin/ex/2/VitrinRooz%D9%85%D8%AD%D9%85%D8%AF%20%D8%AC%D9%85%D8%B4%DB%8C%D8%AF%DB%8C2g43g.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://www.vitrinrooz.com/pages/archive.aspx?num=2&amp;sah"&gt;http://www.vitrinrooz.com/pages/archive.aspx?num=2&amp;sah&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.adicaa.org/designers_detail.asp?id=16"&gt;http://www.adicaa.org/designers_detail.asp?id=16&lt;/a&gt;&lt;br /&gt;Utterly stunning!&lt;br /&gt;&lt;br /&gt;......................................................................................................................................&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3761149683140437942?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3761149683140437942/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/06/calligraphic-posters-of-mohammad.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3761149683140437942'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3761149683140437942'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/06/calligraphic-posters-of-mohammad.html' title='The calligraphic posters of Mohammad Jamshidi'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-2830840798515105122</id><published>2011-05-30T23:06:00.004+03:00</published><updated>2011-05-30T23:09:52.386+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music'/><category scheme='http://www.blogger.com/atom/ns#' term='Rare Books'/><category scheme='http://www.blogger.com/atom/ns#' term='Manuscript'/><category scheme='http://www.blogger.com/atom/ns#' term='15th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Illuminated Manuscript'/><category scheme='http://www.blogger.com/atom/ns#' term='Antiphonal'/><title type='text'>The enigmatic canons of Juan del Vado</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.studiolum.com/wang/vado_6p.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="710" src="http://www.studiolum.com/wang/vado_6p.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;A page from a musical score book of enigmatic canons by composer Juan del Vado (1626 - 1691), completed between 1677 and 1679 and given as a gift to Juan José de Austria, the brother of Charles II, for usage in his royal chapel.&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;See/read more here:&lt;br /&gt;&lt;a href="http://www.emblematica.com/blog/2010/02/enigmas-resueltos.html"&gt;http://www.emblematica.com/blog/2010/02/enigmas-resueltos.html&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;......................................................................................................................................&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-2830840798515105122?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/2830840798515105122/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/05/enigmatic-canons-of-juan-del-vado.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2830840798515105122'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2830840798515105122'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/05/enigmatic-canons-of-juan-del-vado.html' title='The enigmatic canons of Juan del Vado'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7458465251092991045</id><published>2011-05-27T22:09:00.005+03:00</published><updated>2011-05-27T22:13:34.403+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Engraving'/><category scheme='http://www.blogger.com/atom/ns#' term='Encyclopedia'/><category scheme='http://www.blogger.com/atom/ns#' term='Age of the Enlightenment'/><category scheme='http://www.blogger.com/atom/ns#' term='18th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Scientific illustration'/><category scheme='http://www.blogger.com/atom/ns#' term='Denis Diderot'/><title type='text'>Denis Diderot: Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://artflx.uchicago.edu/images/encyclopedie/V20/plate_20_5_1.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="406" src="http://artflx.uchicago.edu/images/encyclopedie/V20/plate_20_5_1.jpeg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://artflx.uchicago.edu/images/encyclopedie/V18/plate_18_2_16.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="814" src="http://artflx.uchicago.edu/images/encyclopedie/V18/plate_18_2_16.jpeg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Published over the course of more than twenty years (1751-1777), the 32 volumes of the Encyclopédie include 21 volumes of text with more than 70,000 articles on subjects ranging from asparagus to the zodiac. The remaining 11 volumes contain beautifully engraved plates illustrating many of the articles. The Encyclopédie was the major achievement of the French Enlightenment whose aim, in Diderot's words, was to "change the common way of thinking" through the expansion of knowledge and the development of critical modes of thought.&lt;br /&gt;&lt;br /&gt;Read more, and also see all the engravings at:&lt;/div&gt;&lt;a href="http://quod.lib.umich.edu/d/did/"&gt;http://quod.lib.umich.edu/d/did/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;......................................................................................................................................&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7458465251092991045?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7458465251092991045/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/05/denis-diderot-encyclopedie-ou.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7458465251092991045'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7458465251092991045'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/05/denis-diderot-encyclopedie-ou.html' title='Denis Diderot: Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-6867450713304325388</id><published>2011-05-14T14:31:00.001+03:00</published><updated>2011-05-14T14:31:39.168+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='16th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Astronomy'/><category scheme='http://www.blogger.com/atom/ns#' term='Rare Books'/><title type='text'>Le sphere de monde: proprement dicte Cosmographie</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-pSm3yqCDOo8/TcwS5LLC1pI/AAAAAAAACEY/H96zCZhjNkM/s1600/18260992.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="780" src="http://1.bp.blogspot.com/-pSm3yqCDOo8/TcwS5LLC1pI/AAAAAAAACEY/H96zCZhjNkM/s800/18260992.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-l4Ww1PemjGc/TcwU8VWtISI/AAAAAAAACEg/rXq2yaK34GU/s1600/table.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="769" src="http://1.bp.blogspot.com/-l4Ww1PemjGc/TcwU8VWtISI/AAAAAAAACEg/rXq2yaK34GU/s800/table.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Oronce Fine's "&lt;i&gt;Le sphere de monde: proprement dicte Cosmographie: manuscript"&lt;/i&gt;, 1549. Houghton Library, Harvard University, Cambridge, Mass.&lt;br /&gt;&lt;a href="http://pds.lib.harvard.edu/pds/view/18260773?n=1&amp;amp;printThumbnails=true"&gt;http://pds.lib.harvard.edu/pds/view/18260773&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;......................................................................................................................................&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-6867450713304325388?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/6867450713304325388/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/05/le-sphere-de-monde-proprement-dicte.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6867450713304325388'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6867450713304325388'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/05/le-sphere-de-monde-proprement-dicte.html' title='Le sphere de monde: proprement dicte Cosmographie'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-pSm3yqCDOo8/TcwS5LLC1pI/AAAAAAAACEY/H96zCZhjNkM/s72-c/18260992.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-6105493906857027823</id><published>2011-05-10T21:54:00.001+03:00</published><updated>2011-05-10T21:55:22.546+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='African'/><category scheme='http://www.blogger.com/atom/ns#' term='Tribal'/><category scheme='http://www.blogger.com/atom/ns#' term='Objects'/><title type='text'>African marionettes</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.randafricanart.com/sitebuilder/images/Bamana_puppet_Saga_jigi_kun_Head_of_the_Ram_01-451x600.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="600" width="451" src="http://www.randafricanart.com/sitebuilder/images/Bamana_puppet_Saga_jigi_kun_Head_of_the_Ram_01-451x600.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.randafricanart.com/sitebuilder/images/Bamana_puppet_antelope_birds_02_1_-450x600.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="600" width="450" src="http://www.randafricanart.com/sitebuilder/images/Bamana_puppet_antelope_birds_02_1_-450x600.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.randafricanart.com/sitebuilder/images/Bozo_hippo_head_marionette_003-450x600.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="600" width="450" src="http://www.randafricanart.com/sitebuilder/images/Bozo_hippo_head_marionette_003-450x600.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://www.randafricanart.com/Bamana_marionettes.html"&gt;http://www.randafricanart.com/Bamana_marionettes.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;......................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-6105493906857027823?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/6105493906857027823/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/05/african-marionettes.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6105493906857027823'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6105493906857027823'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/05/african-marionettes.html' title='African marionettes'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-8160509955556509757</id><published>2011-05-10T21:28:00.005+03:00</published><updated>2011-05-10T21:34:15.421+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Modernism'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Swiss Style'/><category scheme='http://www.blogger.com/atom/ns#' term='Post WW2'/><title type='text'>Typografische monatsblätter, issue June-July 1968</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm5.static.flickr.com/4038/4370213324_862fe30334.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="320" width="500" src="http://farm5.static.flickr.com/4038/4370213324_862fe30334.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm5.static.flickr.com/4062/4371604453_abe1557ca8.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="313" width="500" src="http://farm5.static.flickr.com/4062/4371604453_abe1557ca8.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm5.static.flickr.com/4019/4375266220_200356e6b7.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="318" width="500" src="http://farm5.static.flickr.com/4019/4375266220_200356e6b7.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;See a collection of spreads from the typographic journal, complied from various issues of the year 1968, on &lt;a href="http://www.flickr.com/photos/sebhayez/collections/72157623566147258/"&gt;Sébastien Hayez's Flickr stream here &gt;&gt;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;......................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-8160509955556509757?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/8160509955556509757/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/05/typografische-monatsblatter-issue-june.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/8160509955556509757'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/8160509955556509757'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/05/typografische-monatsblatter-issue-june.html' title='Typografische monatsblätter, issue June-July 1968'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm5.static.flickr.com/4038/4370213324_862fe30334_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-4620425424273131201</id><published>2011-05-08T16:39:00.003+03:00</published><updated>2011-05-08T21:05:22.846+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Rare Books'/><category scheme='http://www.blogger.com/atom/ns#' term='Illuminated Manuscript'/><title type='text'>Carl Jung's Red Book</title><content type='html'>&lt;div style="text-align: justify;"&gt;When Carl Jung embarked on the extended self-exploration he called his 'confrontation with the unconscious', the heart of it was "The Red Book", a large, illuminated volume he created between 1914 and 1930. Here he developed his principal theories - of the archetypes, the collective unconscious and the process of individuation - that transformed psychotherapy from a practice concerned with treatment of the sick into a means for higher development of the personality. While Jung considered "The Red Book" to be his most important work, only a handful of people have ever seen it. Now, in a complete facsimile and translation, it is available to scholars and the general public, &lt;a href="http://www.amazon.co.uk/gp/product/0393065677?ie=UTF8&amp;amp;tag=ateliercoulth-21&amp;amp;linkCode=as2&amp;amp;camp=1634&amp;amp;creative=6738&amp;amp;creativeASIN=0393065677"&gt;also through amazon&lt;/a&gt;. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;An image showing 6 double pages from the book can also be seen as part of an article on Jung at &lt;a href="http://www.nytimes.com/imagepages/2009/09/20/magazine/20jung.3.ready.html"&gt;the New York Times website here &amp;gt;&amp;gt;&amp;gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://g.psychcentral.com/blog/wp-content/uploads/2009/09/jung_redbook02.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="289" src="http://g.psychcentral.com/blog/wp-content/uploads/2009/09/jung_redbook02.jpg" width="470" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://g.psychcentral.com/blog/wp-content/uploads/2009/09/jung_redbook01.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="289" src="http://g.psychcentral.com/blog/wp-content/uploads/2009/09/jung_redbook01.jpg" width="470" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;......................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-4620425424273131201?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/4620425424273131201/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/05/carl-jungs-red-book.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/4620425424273131201'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/4620425424273131201'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/05/carl-jungs-red-book.html' title='Carl Jung&apos;s Red Book'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-8864776456169519731</id><published>2011-05-01T18:33:00.004+03:00</published><updated>2011-05-03T19:55:57.523+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Postmodernism'/><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><category scheme='http://www.blogger.com/atom/ns#' term='21st Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary'/><title type='text'>Kris Kuksi</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://justforbookmarks.files.wordpress.com/2010/03/kk1.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"&gt;&lt;img alt="" class="alignnone size-full wp-image-32" height="425" src="http://justforbookmarks.files.wordpress.com/2010/03/kk1.jpg" style="border-bottom-style: none; border-bottom-width: 0px; border-color: initial; border-left-style: none; border-left-width: 0px; border-right-style: none; border-right-width: 0px; border-top-style: none; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" title="kk1" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.dailyartfixx.com/wp-content/uploads/2010/01/dharma_bovine_kris-kuksi.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="515" src="http://www.dailyartfixx.com/wp-content/uploads/2010/01/dharma_bovine_kris-kuksi.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://kuksi.com/artworks/sculpture/" target="_blank"&gt;http://kuksi.com/artworks/sculpture/&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;......................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-8864776456169519731?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/8864776456169519731/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/05/kris-kuksi.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/8864776456169519731'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/8864776456169519731'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/05/kris-kuksi.html' title='Kris Kuksi'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7511190343840273577</id><published>2011-04-29T21:08:00.003+03:00</published><updated>2011-04-29T21:12:08.797+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music'/><category scheme='http://www.blogger.com/atom/ns#' term='Crafts'/><category scheme='http://www.blogger.com/atom/ns#' term='17th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Baroque'/><category scheme='http://www.blogger.com/atom/ns#' term='Objects'/><title type='text'>Baroque Violin Pattern</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-ba9SVfJRyiY/Tbr-1DuPGfI/AAAAAAAAB-Y/6mROdWJjuZc/s1600/violin1.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="454" width="510" src="http://4.bp.blogspot.com/-ba9SVfJRyiY/Tbr-1DuPGfI/AAAAAAAAB-Y/6mROdWJjuZc/s800/violin1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Violin pattern attributed to a Cremonese workshop, 17th century.&lt;br /&gt;&lt;a href="http://orgs.usd.edu/nmm/Violins/ViolinPattern/ViolinPattern.html"&gt;http://orgs.usd.edu/nmm/Violins/ViolinPattern/ViolinPattern.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;......................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7511190343840273577?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7511190343840273577/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/baroque-violin-pattern.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7511190343840273577'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7511190343840273577'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/baroque-violin-pattern.html' title='Baroque Violin Pattern'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-ba9SVfJRyiY/Tbr-1DuPGfI/AAAAAAAAB-Y/6mROdWJjuZc/s72-c/violin1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-4819497049292766981</id><published>2011-04-26T09:09:00.005+03:00</published><updated>2011-05-27T22:14:54.139+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Engraving'/><category scheme='http://www.blogger.com/atom/ns#' term='17th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Rare Books'/><category scheme='http://www.blogger.com/atom/ns#' term='Scientific illustration'/><title type='text'>de Motv Animalivm</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://digital.lib.uiowa.edu/cgi-bin/getimage.exe?CISOROOT=/jmrbr&amp;amp;CISOPTR=1263&amp;amp;DMSCALE=50.00000&amp;amp;DMWIDTH=600&amp;amp;DMHEIGHT=800&amp;amp;DMX=0&amp;amp;DMY=0&amp;amp;DMTEXT=%22Borelli%2527s%20De%20motv%20animalivm%22&amp;amp;REC=3&amp;amp;DMTHUMB=0&amp;amp;DMROTATE=0" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="654" src="http://digital.lib.uiowa.edu/cgi-bin/getimage.exe?CISOROOT=/jmrbr&amp;amp;CISOPTR=1263&amp;amp;DMSCALE=50.00000&amp;amp;DMWIDTH=600&amp;amp;DMHEIGHT=800&amp;amp;DMX=0&amp;amp;DMY=0&amp;amp;DMTEXT=%22Borelli%2527s%20De%20motv%20animalivm%22&amp;amp;REC=3&amp;amp;DMTHUMB=0&amp;amp;DMROTATE=0" width="480" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://digital.lib.uiowa.edu/cgi-bin/getimage.exe?CISOROOT=/jmrbr&amp;amp;CISOPTR=1262&amp;amp;DMSCALE=50.00000&amp;amp;DMWIDTH=600&amp;amp;DMHEIGHT=800&amp;amp;DMX=0&amp;amp;DMY=0&amp;amp;DMTEXT=%22Borelli%2527s%20De%20motv%20animalivm%22&amp;amp;REC=2&amp;amp;DMTHUMB=0&amp;amp;DMROTATE=0" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="655" src="http://digital.lib.uiowa.edu/cgi-bin/getimage.exe?CISOROOT=/jmrbr&amp;amp;CISOPTR=1262&amp;amp;DMSCALE=50.00000&amp;amp;DMWIDTH=600&amp;amp;DMHEIGHT=800&amp;amp;DMX=0&amp;amp;DMY=0&amp;amp;DMTEXT=%22Borelli%2527s%20De%20motv%20animalivm%22&amp;amp;REC=2&amp;amp;DMTHUMB=0&amp;amp;DMROTATE=0" width="476" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Giovanni Alfonso Borelli, 1608-1679&lt;br /&gt;&lt;a href="http://digital.lib.uiowa.edu/cdm4/results.php?CISOOP1=exact&amp;CISOBOX1=Borelli%27s+De+motv+animalivm&amp;CISOFIELD1=CISOSEARCHALL&amp;CISOROOT=/jmrbr&amp;t=s"&gt;From the Iowa Universtiy Digital Library, John Martin Rare Book Room&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;......................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-4819497049292766981?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/4819497049292766981/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/de-motv-animalivm.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/4819497049292766981'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/4819497049292766981'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/de-motv-animalivm.html' title='de Motv Animalivm'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-1936813801245409176</id><published>2011-04-23T16:09:00.007+03:00</published><updated>2011-05-27T22:17:43.750+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='16th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Woodblock Printing'/><category scheme='http://www.blogger.com/atom/ns#' term='Emblem'/><category scheme='http://www.blogger.com/atom/ns#' term='Vignette'/><category scheme='http://www.blogger.com/atom/ns#' term='Baroque'/><title type='text'>Amorum Emblemata</title><content type='html'>&lt;div style="text-align: justify;"&gt;124 Woodcut vignettes by  Otto van Veen (1556-1629) showing cupids with bow, arrows &amp;amp; torch, inscribed with the motto "Amor vincit omnia". The emblem is in an oval on the right-hand page, with text facing it on the left-hand page.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://ia700308.us.archive.org/BookReader/BookReaderImages.php?zip=/26/items/amorumfigurisaen00veen/amorumfigurisaen00veen_jp2.zip&amp;amp;file=amorumfigurisaen00veen_jp2/amorumfigurisaen00veen_0016.jp2&amp;amp;scale=1.6714727085478889&amp;amp;rotate=0" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="340" src="http://ia700308.us.archive.org/BookReader/BookReaderImages.php?zip=/26/items/amorumfigurisaen00veen/amorumfigurisaen00veen_jp2.zip&amp;amp;file=amorumfigurisaen00veen_jp2/amorumfigurisaen00veen_0016.jp2&amp;amp;scale=1.6714727085478889&amp;amp;rotate=0" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://ia700308.us.archive.org/BookReader/BookReaderImages.php?zip=/26/items/amorumfigurisaen00veen/amorumfigurisaen00veen_jp2.zip&amp;amp;file=amorumfigurisaen00veen_jp2/amorumfigurisaen00veen_0041.jp2&amp;amp;scale=1.6714727085478889&amp;amp;rotate=0" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="340" src="http://ia700308.us.archive.org/BookReader/BookReaderImages.php?zip=/26/items/amorumfigurisaen00veen/amorumfigurisaen00veen_jp2.zip&amp;amp;file=amorumfigurisaen00veen_jp2/amorumfigurisaen00veen_0041.jp2&amp;amp;scale=1.6714727085478889&amp;amp;rotate=0" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://ia700308.us.archive.org/BookReader/BookReaderImages.php?zip=/26/items/amorumfigurisaen00veen/amorumfigurisaen00veen_jp2.zip&amp;amp;file=amorumfigurisaen00veen_jp2/amorumfigurisaen00veen_0042.jp2&amp;amp;scale=1.6714727085478889&amp;amp;rotate=0" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="340" src="http://ia700308.us.archive.org/BookReader/BookReaderImages.php?zip=/26/items/amorumfigurisaen00veen/amorumfigurisaen00veen_jp2.zip&amp;amp;file=amorumfigurisaen00veen_jp2/amorumfigurisaen00veen_0042.jp2&amp;amp;scale=1.6714727085478889&amp;amp;rotate=0" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.archive.org/details/amorumfigurisaen00veen"&gt;http://www.archive.org/details/amorumfigurisaen00veen&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-1936813801245409176?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/1936813801245409176/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/amorum-emblemata.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1936813801245409176'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1936813801245409176'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/amorum-emblemata.html' title='Amorum Emblemata'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-5480572308035682141</id><published>2011-04-22T11:45:00.004+03:00</published><updated>2011-04-22T12:04:27.679+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Crafts'/><category scheme='http://www.blogger.com/atom/ns#' term='Modernism'/><category scheme='http://www.blogger.com/atom/ns#' term='Fashion'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Ephemera'/><title type='text'>Vintage dressmaking patterns</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.sovintagepatterns.com/i/couturier/2128a14.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="618" src="http://www.sovintagepatterns.com/i/couturier/2128a14.JPG" width="459" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;A huge collection of sewing patterns starting from the early 20th century. These can actually be purchased as patterns and used for dressmaking purposes today!&lt;br /&gt;&lt;a href="http://www.sovintagepatterns.com/vintagepatterns.html"&gt;http://www.sovintagepatterns.com/vintagepatterns.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-5480572308035682141?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/5480572308035682141/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/vintage-sewing-patterns.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5480572308035682141'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5480572308035682141'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/vintage-sewing-patterns.html' title='Vintage dressmaking patterns'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-8772528653979389733</id><published>2011-04-21T12:39:00.004+03:00</published><updated>2011-04-21T12:42:49.783+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Swiss Style'/><category scheme='http://www.blogger.com/atom/ns#' term='Post WW2'/><category scheme='http://www.blogger.com/atom/ns#' term='Rare Books'/><title type='text'>Die Neue Graphik</title><content type='html'>Re-blogged from &lt;a href="http://www.designers-books.com/?p=4318"&gt;Designers Books&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.designers-books.com/wp-content/uploads/2010/10/20100322-IMG_2843-590x393.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="340" width="510" src="http://www.designers-books.com/wp-content/uploads/2010/10/20100322-IMG_2843-590x393.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.designers-books.com/wp-content/uploads/2010/10/20100322-IMG_2844-590x393.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="340" width="510" src="http://www.designers-books.com/wp-content/uploads/2010/10/20100322-IMG_2844-590x393.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.designers-books.com/wp-content/uploads/2010/10/20100322-IMG_2856-590x393.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="340" width="510" src="http://www.designers-books.com/wp-content/uploads/2010/10/20100322-IMG_2856-590x393.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Markus Kutter &amp; Karl Gerstner&lt;br /&gt;Designed by Karl Gerstner&lt;br /&gt;&lt;br /&gt;Arthur Niggli Ltd., Teufen, 1959&lt;br /&gt;Blocks by Schwitter AG, Basle&lt;br /&gt;Printed by R. Weber ag, Heiden&lt;br /&gt;Bound by Max Grollimund, Basel&lt;br /&gt;23 x 23 cm&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-8772528653979389733?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/8772528653979389733/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/die-neue-graphik.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/8772528653979389733'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/8772528653979389733'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/die-neue-graphik.html' title='Die Neue Graphik'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7613817531573268314</id><published>2011-04-17T16:30:00.004+03:00</published><updated>2011-04-17T17:52:02.023+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Deco'/><title type='text'>Aleister Crowley's Thoth Tarot</title><content type='html'>&lt;div style="text-align: justify;"&gt;The Thoth Tarot was painted by Lady Frieda Harris according to instructions from Aleister Crowley. Crowley referred to this deck as The Book of Thoth, and also wrote a book of that title intended for use with the deck. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Crowley originally intended the Thoth deck to be a six-month project aimed at updating the traditional pictorial symbolism of the tarot. However, the project was to span five years, between 1938 and 1943, as its scope grew ever wider. Crowley and Harris were meticulous in their work, and Harris painted some of the cards as many as eight times. Early editions of the deck included two of Harris' early drafts of The Magus card, each making use of markedly different style and symbols.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The illustrations of the Thoth deck are rich in symbolism, based upon Crowley's desire to incorporate symbols from many disparate disciplines, including science and philosophy, as well as to draw on his extensive knowledge of various occult system (as described in detail in his Book of Thoth). For example, The Hanged Man and The Moon draw from Egyptian mythology, and the Princess of Disks holds a disk bearing the Taijitu. The pip cards in the four suits (Wands, Cups, Swords, and Disks) depict their objects in carefully crafted positions; for example, the Four of Swords (which Crowley named "truce") shows four swords with their points toward the center of an imaginary square, suggesting a possibly tense peace. The card illustrations are uniformly stark and vividly illustrated throughout.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Thoth_tarot_deck"&gt;http://en.wikipedia.org/wiki/Thoth_tarot_deck&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.tarotgarden.com/database/images/t-decks/thothswisslargecards.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="505" src="http://www.tarotgarden.com/database/images/t-decks/thothswisslargecards.gif" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.tarotgarden.com/database/images/t-decks/thothswiss3magecards.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="505" src="http://www.tarotgarden.com/database/images/t-decks/thothswiss3magecards.gif" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7613817531573268314?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7613817531573268314/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/aleister-crowleys-thoth-tarot.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7613817531573268314'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7613817531573268314'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/aleister-crowleys-thoth-tarot.html' title='Aleister Crowley&apos;s Thoth Tarot'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7755943249395300126</id><published>2011-04-16T14:16:00.003+03:00</published><updated>2011-04-22T00:20:27.754+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Calligraphy'/><category scheme='http://www.blogger.com/atom/ns#' term='Islamic'/><title type='text'>Zoomorphic Islamic Calligraphy</title><content type='html'>&lt;div style="text-align: justify;"&gt;The calligraphic art of Hassan Musa from Sudan, re-blogged from &lt;a href="http://bibliodyssey.blogspot.com/2006/06/zoomorphic-calligraphy.html"&gt;Biblio-Odyssey&lt;/a&gt;.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://photos1.blogger.com/blogger/1717/1584/1600/Besmele%2C%20calligraphy%20shape%20of%20bird%20figure%20In%20name%20of%20Allah%2CMost%20Gracious%2C%20Most%20Merciful%20%28Besmele%29%20Author%20Seda.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="513" src="http://photos1.blogger.com/blogger/1717/1584/1600/Besmele%2C%20calligraphy%20shape%20of%20bird%20figure%20In%20name%20of%20Allah%2CMost%20Gracious%2C%20Most%20Merciful%20%28Besmele%29%20Author%20Seda.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-pPru39jtzDU/Tal6LjYzrUI/AAAAAAAABbw/hlI-ZeQKxqg/s1600/lion.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="284" src="http://1.bp.blogspot.com/-pPru39jtzDU/Tal6LjYzrUI/AAAAAAAABbw/hlI-ZeQKxqg/s400/lion.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7755943249395300126?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7755943249395300126/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/zoomorphic-islamic-calligraphy.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7755943249395300126'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7755943249395300126'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/zoomorphic-islamic-calligraphy.html' title='Zoomorphic Islamic Calligraphy'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-pPru39jtzDU/Tal6LjYzrUI/AAAAAAAABbw/hlI-ZeQKxqg/s72-c/lion.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-209192989606740299</id><published>2011-04-14T23:16:00.005+03:00</published><updated>2011-04-16T14:16:19.794+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Antiquity'/><category scheme='http://www.blogger.com/atom/ns#' term='Mythology'/><category scheme='http://www.blogger.com/atom/ns#' term='Resource'/><title type='text'>The Gods and Goddesses of Ancient Mythology</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: justify;"&gt;Many thanks to HVC website reader Ms. Erin Jones, who sent me this brilliant resource:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.datehookup.com/content-the-gods-and-goddesses-of-ancient-mythology.htm"&gt;http://www.datehookup.com/content-the-gods-and-goddesses-of-ancient-mythology.htm&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-209192989606740299?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/209192989606740299/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/gods-and-goddesses-of-ancient-mythology.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/209192989606740299'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/209192989606740299'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/gods-and-goddesses-of-ancient-mythology.html' title='The Gods and Goddesses of Ancient Mythology'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-2647582877118241747</id><published>2011-04-14T00:38:00.007+03:00</published><updated>2011-04-14T00:59:17.213+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Prints'/><category scheme='http://www.blogger.com/atom/ns#' term='China'/><category scheme='http://www.blogger.com/atom/ns#' term='Cats'/><category scheme='http://www.blogger.com/atom/ns#' term='Oriental'/><category scheme='http://www.blogger.com/atom/ns#' term='Biological Drawing'/><title type='text'>Historic Chinese Cats</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.studiolum.com/wang/chinese/cat1/13.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="353" src="http://www.studiolum.com/wang/chinese/cat1/13.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;i&gt;Shen Zou, Ming Dynasty, "Sketches from life"&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.studiolum.com/wang/chinese/cat1/09.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="852" src="http://www.studiolum.com/wang/chinese/cat1/09.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;i&gt;Emperor Xuangdong, Ming Dynasty, "Cats below flowers"&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.studiolum.com/wang/chinese/cat1/14.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="700" src="http://www.studiolum.com/wang/chinese/cat1/14.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;i&gt;Anonymous, Song Dynasty, "Cats playing"&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.studiolum.com/wang/chinese/cat1/04.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="504" src="http://www.studiolum.com/wang/chinese/cat1/04.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;i&gt;Anonymous, Song Dynasty&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Many many thanks to the amazing blog &lt;a href="http://riowang.blogspot.com/"&gt;Poemas del río Wang&lt;/a&gt; for having compiled a huge collection of Chinese cat paintings, both historic and contemporary, from where I found the ones above:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://riowang.blogspot.com/2010/05/chinese-cats.html"&gt;http://riowang.blogspot.com/2010/05/chinese-cats.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://riowang.blogspot.com/2010/05/chinese-cats.html"&gt;&lt;/a&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-2647582877118241747?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/2647582877118241747/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/chinese-cats.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2647582877118241747'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2647582877118241747'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/chinese-cats.html' title='Historic Chinese Cats'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3186246987424244619</id><published>2011-04-14T00:17:00.001+03:00</published><updated>2011-04-14T00:20:36.255+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ernst Haeckel'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='illustration'/><category scheme='http://www.blogger.com/atom/ns#' term='Biological Drawing'/><title type='text'>Ernst Haeckel: Kunstformen der Natur</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://caliban.mpiz-koeln.mpg.de/haeckel/kunstformen/screen/Tafel_095_300.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="748" src="http://caliban.mpiz-koeln.mpg.de/haeckel/kunstformen/screen/Tafel_095_300.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://caliban.mpiz-koeln.mpg.de/haeckel/kunstformen/screen/Tafel_080_300.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="748" src="http://caliban.mpiz-koeln.mpg.de/haeckel/kunstformen/screen/Tafel_080_300.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://caliban.mpiz-koeln.mpg.de/haeckel/kunstformen/screen/Tafel_090_300.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="748" src="http://caliban.mpiz-koeln.mpg.de/haeckel/kunstformen/screen/Tafel_090_300.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;The full book can be viewed and downloaded as a pdf from here:&lt;br /&gt;&lt;a href="http://caliban.mpiz-koeln.mpg.de/haeckel/kunstformen/index.html"&gt;http://caliban.mpiz-koeln.mpg.de/haeckel/kunstformen/index.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3186246987424244619?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3186246987424244619/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/ernst-haeckel-kunstformen-der-natur.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3186246987424244619'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3186246987424244619'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/ernst-haeckel-kunstformen-der-natur.html' title='Ernst Haeckel: Kunstformen der Natur'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-2779157090049783480</id><published>2011-04-12T22:49:00.004+03:00</published><updated>2011-05-27T22:14:32.720+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Engraving'/><category scheme='http://www.blogger.com/atom/ns#' term='Astronomy'/><category scheme='http://www.blogger.com/atom/ns#' term='17th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Atlas'/><category scheme='http://www.blogger.com/atom/ns#' term='Scientific illustration'/><title type='text'>Johann Bayer's "Uranometria"</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.lindahall.org/services/digital/ebooks/bayer/700/040007b.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="370" width="510" src="http://www.lindahall.org/services/digital/ebooks/bayer/700/040007b.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.lindahall.org/services/digital/ebooks/bayer/700/040019b.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="370" width="510" src="http://www.lindahall.org/services/digital/ebooks/bayer/700/040019b.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.lindahall.org/services/digital/ebooks/bayer/700/040036b.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="370" width="510" src="http://www.lindahall.org/services/digital/ebooks/bayer/700/040036b.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://www.lindahall.org/services/digital/ebooks/bayer/"&gt;http://www.lindahall.org/services/digital/ebooks/bayer/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-2779157090049783480?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/2779157090049783480/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/johann-bayers-uranometria-1603.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2779157090049783480'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2779157090049783480'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/johann-bayers-uranometria-1603.html' title='Johann Bayer&apos;s &quot;Uranometria&quot;'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-6324136443782188539</id><published>2011-04-11T12:21:00.006+03:00</published><updated>2011-04-11T16:00:24.211+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='3D'/><category scheme='http://www.blogger.com/atom/ns#' term='Virtual Worlds'/><category scheme='http://www.blogger.com/atom/ns#' term='21st Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Game Design'/><title type='text'>Bioshock</title><content type='html'>&lt;div style="text-align: justify;"&gt;BioShock is a first-person shooter game developed by Irrational Games and designed by Ken Levine.&amp;nbsp;Set in an alternate history 1960, the game places the player in the role of a plane crash survivor named Jack, who must explore the underwater city of Rapture, and survive attacks by the mutated beings and mechanical drones that populate it. The game incorporates elements found in role-playing and survival games, and is described by the developers and Levine as a "spiritual successor" to their previous titles in the System Shock series. The game received overwhelmingly positive reviews, which praised its "morality-based" storyline, immersive environment and Ayn Rand-inspired dystopian back-story.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;BioShock has received praise for its artistic style and compelling storytelling. In their book, Digital Culture: Understanding New Media, Glen Creeber and Royston Martin perform a case study of BioShock as a critical analysis of video games as an artistic medium. They praised the game for its visuals, sound, and ability to engage the player into the story. They viewed BioShock as a sign of the "coming of age" of video games as an artistic medium.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In February 2011 the Smithsonian Institution announced it will be holding an exhibit dedicated to the art of video games. Several games were chosen initially and the public can vote for which games they feel deserve to be displayed via a poll on the exhibit's website . BioShock is considered a front runner to be displayed because of its status as a game that demonstrated how artistic the medium can be.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The following screenshots are linked from a thoughtful post on Bioshock, which &lt;a href="http://reflectionsandcontemplations.wordpress.com/2010/11/28/reflections-on-the-best-moments-in-bioshock-and-bioshock-2-or-on-obedience-in-computer-games/"&gt;can be read here &amp;gt;&amp;gt;&amp;gt;&lt;/a&gt;.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://reflectionsandcontemplations.files.wordpress.com/2010/11/bioshock_1_martin_lugton.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="403" src="http://reflectionsandcontemplations.files.wordpress.com/2010/11/bioshock_1_martin_lugton.png" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://reflectionsandcontemplations.files.wordpress.com/2010/11/bioshock_3_martin_lugton.png?w=640&amp;amp;h=512" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="403" src="http://reflectionsandcontemplations.files.wordpress.com/2010/11/bioshock_3_martin_lugton.png?w=640&amp;amp;h=512" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://reflectionsandcontemplations.files.wordpress.com/2010/11/bioshock_8_martin_lugton.png?w=640&amp;amp;h=512" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="403" src="http://reflectionsandcontemplations.files.wordpress.com/2010/11/bioshock_8_martin_lugton.png?w=640&amp;amp;h=512" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-6324136443782188539?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/6324136443782188539/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/bioshock.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6324136443782188539'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6324136443782188539'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/bioshock.html' title='Bioshock'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-203126143307756446</id><published>2011-04-09T20:10:00.002+03:00</published><updated>2011-04-11T11:17:07.387+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='17th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Shakespeare'/><category scheme='http://www.blogger.com/atom/ns#' term='Typography'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>Shakespeare, the typographer</title><content type='html'>&lt;a href="http://www.archive.org/details/shaksperetypogra00bladrich"&gt;http://www.archive.org/details/shaksperetypogra00bladrich&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Authored by William Blades (1824-1890) and printed by the Winthrop Press, New York in 1897; the full book can be found at&amp;nbsp;&lt;a href="http://www.archive.org/"&gt;archive.org&lt;/a&gt;, at the link above.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://ia700309.us.archive.org/BookReader/BookReaderImages.php?zip=/9/items/shaksperetypogra00bladrich/shaksperetypogra00bladrich_jp2.zip&amp;amp;file=shaksperetypogra00bladrich_jp2/shaksperetypogra00bladrich_0009.jp2&amp;amp;scale=3.308959835221421&amp;amp;rotate=0" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="900" src="http://ia700309.us.archive.org/BookReader/BookReaderImages.php?zip=/9/items/shaksperetypogra00bladrich/shaksperetypogra00bladrich_jp2.zip&amp;amp;file=shaksperetypogra00bladrich_jp2/shaksperetypogra00bladrich_0009.jp2&amp;amp;scale=3.308959835221421&amp;amp;rotate=0" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-203126143307756446?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/203126143307756446/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/shakespeare-typographer.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/203126143307756446'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/203126143307756446'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/shakespeare-typographer.html' title='Shakespeare, the typographer'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-8843533039763266649</id><published>2011-04-08T13:55:00.007+03:00</published><updated>2011-04-11T11:17:51.028+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='China'/><category scheme='http://www.blogger.com/atom/ns#' term='Anonymous'/><category scheme='http://www.blogger.com/atom/ns#' term='Oriental'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>Interior with a woman at her toilet (Anonymous, Chinese School, 19th Century)</title><content type='html'>&lt;div style="text-align: justify;"&gt;Yet another treasure from&lt;a href="http://www.flickr.com/photos/centralasian/"&gt; Centralasian's Flickr&lt;/a&gt;:&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm6.static.flickr.com/5310/5599274162_f838c10a23_o.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="404" src="http://farm6.static.flickr.com/5310/5599274162_38406eb56b.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm6.static.flickr.com/5186/5598693977_52abcf7372.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="346" width="500" src="http://farm6.static.flickr.com/5186/5598693977_52abcf7372.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-8843533039763266649?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/8843533039763266649/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/here-is-yet-another-treasure-from.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/8843533039763266649'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/8843533039763266649'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/here-is-yet-another-treasure-from.html' title='Interior with a woman at her toilet (Anonymous, Chinese School, 19th Century)'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm6.static.flickr.com/5310/5599274162_38406eb56b_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-1310398745125919188</id><published>2011-04-07T21:49:00.006+03:00</published><updated>2011-04-11T11:18:05.256+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mask'/><category scheme='http://www.blogger.com/atom/ns#' term='African'/><category scheme='http://www.blogger.com/atom/ns#' term='Tribal'/><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><title type='text'>African Masks</title><content type='html'>&lt;div style="text-align: justify;"&gt;Great site for African art: &lt;a href="http://www.zyama.com/index.htm"&gt;http://www.zyama.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I am only putting two masks here, however there is much more, including some beautiful sculptures.&amp;nbsp;Of the two below, the top one belongs to the Bwa tribe and the bottom one to the Punu tribe.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.arttribal.com/Bwa/591_African_Mask_Bwa_5.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="1458" src="http://www.arttribal.com/Bwa/591_African_Mask_Bwa_5.JPG" width="402" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.arttribal.com/Punu/503_African_Mask_Punu_1.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="516" src="http://www.arttribal.com/Punu/503_African_Mask_Punu_1.JPG" width="407" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-1310398745125919188?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/1310398745125919188/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/african-masks.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1310398745125919188'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1310398745125919188'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/african-masks.html' title='African Masks'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-8827299838141054140</id><published>2011-04-05T12:00:00.006+03:00</published><updated>2011-05-27T22:15:43.834+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Engraving'/><category scheme='http://www.blogger.com/atom/ns#' term='Calligraphy'/><category scheme='http://www.blogger.com/atom/ns#' term='17th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Baroque'/><title type='text'>Paul Franck's Flourishes</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://ia600407.us.archive.org/BookReader/BookReaderImages.php?zip=/33/items/kunstrichtigesch00fran/kunstrichtigesch00fran_jp2.zip&amp;amp;file=kunstrichtigesch00fran_jp2/kunstrichtigesch00fran_0021.jp2&amp;amp;scale=3.729145211122554&amp;amp;rotate=0" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="750" src="http://ia600407.us.archive.org/BookReader/BookReaderImages.php?zip=/33/items/kunstrichtigesch00fran/kunstrichtigesch00fran_jp2.zip&amp;amp;file=kunstrichtigesch00fran_jp2/kunstrichtigesch00fran_0021.jp2&amp;amp;scale=3.729145211122554&amp;amp;rotate=0" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://ia600407.us.archive.org/BookReader/BookReaderImages.php?zip=/33/items/kunstrichtigesch00fran/kunstrichtigesch00fran_jp2.zip&amp;amp;file=kunstrichtigesch00fran_jp2/kunstrichtigesch00fran_0059.jp2&amp;amp;scale=3.729145211122554&amp;amp;rotate=0" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="750" src="http://ia600407.us.archive.org/BookReader/BookReaderImages.php?zip=/33/items/kunstrichtigesch00fran/kunstrichtigesch00fran_jp2.zip&amp;amp;file=kunstrichtigesch00fran_jp2/kunstrichtigesch00fran_0059.jp2&amp;amp;scale=3.729145211122554&amp;amp;rotate=0" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;From a wonderful book entitled &lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;"Kunstrichtige Schreibart: allerhand Versalie[n] oder AnfangsBuchstabe[n] der teütschen, lateinischen und italianischen Schrifften aus unterschiedlichen Meistern der edlen Schreibkunst zusammen getragen"&lt;/span&gt;&lt;/i&gt; which was authored by Paul Franck, Paul Fürst and Christoph Gerhard in 1655. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The entire book can be viewed online or downloaded as a pdf from &lt;a href="http://www.archive.org/details/kunstrichtigesch00fran"&gt;archive.org&lt;/a&gt;.&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-8827299838141054140?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/8827299838141054140/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/paul-francks-calligraphy.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/8827299838141054140'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/8827299838141054140'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/paul-francks-calligraphy.html' title='Paul Franck&apos;s Flourishes'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-5528155164584864901</id><published>2011-04-03T12:34:00.006+03:00</published><updated>2011-04-11T11:18:40.667+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Romanticism'/><category scheme='http://www.blogger.com/atom/ns#' term='Photography'/><category scheme='http://www.blogger.com/atom/ns#' term='Age of the Enlightenment'/><category scheme='http://www.blogger.com/atom/ns#' term='Postmodernism'/><category scheme='http://www.blogger.com/atom/ns#' term='Neoclassicism'/><category scheme='http://www.blogger.com/atom/ns#' term='21st Century'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>Géricault - revisited by Mark Squires</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.alphaauer.com/wp-content/uploads/2010/12/Raft-of-the-medusa-theodore-gericault.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="330" src="http://www.alphaauer.com/wp-content/uploads/2010/12/Raft-of-the-medusa-theodore-gericault.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Géricault's "Raft of the Medusa" (above) as re-interpreted for a contemporary fashion magazine cover by &lt;a href="http://www.marksquiresphoto.com/#p=-1&amp;amp;a=0&amp;amp;at=0"&gt;Mark Squires&lt;/a&gt; (below).&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm6.static.flickr.com/5263/5579959461_823e851c27.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: justify;"&gt;&lt;img border="0" height="321" src="http://farm6.static.flickr.com/5263/5579959461_823e851c27.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-5528155164584864901?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/5528155164584864901/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/gericault-revisited-by-mark-squires.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5528155164584864901'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5528155164584864901'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/gericault-revisited-by-mark-squires.html' title='Géricault - revisited by Mark Squires'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm6.static.flickr.com/5263/5579959461_823e851c27_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-2478418638213252012</id><published>2011-04-02T14:03:00.009+03:00</published><updated>2011-04-11T11:19:01.597+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Curio'/><category scheme='http://www.blogger.com/atom/ns#' term='Collection'/><category scheme='http://www.blogger.com/atom/ns#' term='Americana'/><category scheme='http://www.blogger.com/atom/ns#' term='Scientific illustration'/><category scheme='http://www.blogger.com/atom/ns#' term='Industrial Revolution'/><category scheme='http://www.blogger.com/atom/ns#' term='Diagrams'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>Patent Drawings</title><content type='html'>&lt;div style="text-align: justify;"&gt;The &lt;a href="http://www.flickr.com/photos/usnationalarchives/"&gt;U. S. National Archives collection on Flickr&lt;/a&gt; is one of the greatest places to find visual communication history related material. 131 sets in total, and one of them is all about patent application drawings, mostly from the 19th Century - although there are a few contemporary prize gems (such as Michael Jackson's application for anti-gravity shoes) as well: &lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm6.static.flickr.com/5189/5573758499_2ab9af1cb4.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="412" src="http://farm6.static.flickr.com/5189/5573758499_2ab9af1cb4.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm6.static.flickr.com/5098/5573758467_4868f13bdf.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="409" src="http://farm6.static.flickr.com/5098/5573758467_4868f13bdf.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;View the full set&amp;nbsp;&lt;a href="http://www.flickr.com/photos/usnationalarchives/sets/72157626386894968/with/5573758467/"&gt;here &amp;gt;&amp;gt;&amp;gt;&lt;/a&gt;.&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-2478418638213252012?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/2478418638213252012/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/patent-drawings.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2478418638213252012'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2478418638213252012'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/patent-drawings.html' title='Patent Drawings'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm6.static.flickr.com/5189/5573758499_2ab9af1cb4_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-6803286163266395241</id><published>2011-04-01T15:04:00.005+03:00</published><updated>2011-04-11T11:19:29.132+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Post WW2'/><category scheme='http://www.blogger.com/atom/ns#' term='illustration'/><title type='text'>Electrolux Cooker Hood - Family Lunch</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.flickr.com/photos/centralasian/5578858491/sizes/o/in/photostream/" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="327" src="http://farm6.static.flickr.com/5304/5578858491_137ac74686.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Found on&amp;nbsp;&lt;a href="http://www.flickr.com/photos/centralasian/"&gt;Centralasian's wonderful Flickr stream&lt;/a&gt;. While this appears to be a contemporary illustration, it still has a great retro feel to it and so I am labeling it accordingly.&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-6803286163266395241?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/6803286163266395241/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/electrolux-cooker-hood-family-lunch.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6803286163266395241'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6803286163266395241'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/04/electrolux-cooker-hood-family-lunch.html' title='Electrolux Cooker Hood - Family Lunch'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm6.static.flickr.com/5304/5578858491_137ac74686_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-1556213708489324674</id><published>2011-03-29T20:53:00.009+03:00</published><updated>2011-04-11T11:19:53.724+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Fashion'/><category scheme='http://www.blogger.com/atom/ns#' term='Curio'/><category scheme='http://www.blogger.com/atom/ns#' term='Victoriana'/><title type='text'>Victorian shoe</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-w3heHO4GjQ0/TZIb553l5II/AAAAAAAABJM/TKhtP_yRtVE/s1600/shoe.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="361" src="http://2.bp.blogspot.com/-w3heHO4GjQ0/TZIb553l5II/AAAAAAAABJM/TKhtP_yRtVE/s800/shoe.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;I found this here:&amp;nbsp;&lt;a href="http://hubpages.com/hub/vintage-victorian-flowers-and-fruit"&gt;http://hubpages.com/hub/vintage-victorian-flowers-and-fruit&lt;/a&gt;, to where I was directed to from here:&amp;nbsp;&lt;a href="http://wordplayblog.com/"&gt;http://wordplayblog.com/&lt;/a&gt;. Rather nice pages for Victoriana, so I am thinking that they will be good things to share.&lt;br /&gt;&lt;br /&gt;I added the dark background, however you can find the original illustration &lt;a href="http://s2.hubimg.com/u/893793.jpg"&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-1556213708489324674?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/1556213708489324674/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/03/victorian-shoe.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1556213708489324674'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1556213708489324674'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/03/victorian-shoe.html' title='Victorian shoe'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-w3heHO4GjQ0/TZIb553l5II/AAAAAAAABJM/TKhtP_yRtVE/s72-c/shoe.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-6219371062797444632</id><published>2011-03-27T11:37:00.001+02:00</published><updated>2011-04-11T11:20:14.912+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Modernism'/><category scheme='http://www.blogger.com/atom/ns#' term='Fashion'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><title type='text'>Roberto Capucci</title><content type='html'>&lt;div style="text-align: justify;"&gt;Despite a sparkling career Roberto Capucci withdrew from the world of haute couture in 1980 to follow his own path, which seems to have included creating &lt;a href="http://www.fondazionerobertocapucci.com/mostra_en.htm" target="_blank"&gt;a foundation&lt;/a&gt; for the promotion of apparel-art as well as staging annual fashion-art shows in various locations around the world, in &lt;em&gt;"any city that will welcome me"&lt;/em&gt; as he says...&lt;/div&gt;&lt;br /&gt;&lt;a href="http://get.edidomus.it/domus/extrasensor/contentmanager/big/4-Abito-scultura%20sauvage%20doppi%20vortici%20avanti-Foto%20Claudia%20Primangeli3.jpg"&gt;&lt;img alt="" class="alignnone" height="682" src="http://get.edidomus.it/domus/extrasensor/contentmanager/big/4-Abito-scultura%20sauvage%20doppi%20vortici%20avanti-Foto%20Claudia%20Primangeli3.jpg" style="border: 0 none; margin: 0;" title="capucci01" width="480" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://images.quickblogcast.com/45737-41649/chapeau5762.jpg" target="_blank"&gt;&lt;img alt="" class="alignnone" height="504" src="http://images.quickblogcast.com/45737-41649/chapeau5762.jpg" style="border: 0 none; margin: 0;" title="cap08" width="410" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.fondazionerobertocapucci.com/abiti/1985ca004a/1985ca004a_003b.jpg" target="_blank"&gt;&lt;img alt="" class="alignnone" height="380" src="http://www.fondazionerobertocapucci.com/abiti/1985ca004a/1985ca004a_003b.jpg" style="border: 0 none; margin: 0;" title="cap10" width="380" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.italica.rai.it/principali/argomenti/altro/capucci3/gr1.jpg" target="_blank"&gt;&lt;img alt="" height="380" src="http://www.italica.rai.it/principali/argomenti/altro/capucci3/gr1.jpg" title="cap09" width="340" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Read more about Roberto Capucci &lt;a href="http://www.italica.rai.it/eng/principal/topics/bio/capucci.htm" target="_blank"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-6219371062797444632?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/6219371062797444632/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/03/roberto-capucci.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6219371062797444632'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6219371062797444632'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/03/roberto-capucci.html' title='Roberto Capucci'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-2759274944095548951</id><published>2011-03-27T01:47:00.001+02:00</published><updated>2011-04-11T11:20:31.759+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Modernism'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Swiss Style'/><title type='text'>Swiss poster collection</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="http://posters.nb.admin.ch/cgi-bin/gw/chameleon?lng=en&amp;amp;skin=posters"&gt;The database maintained by the Swiss government is enormous&lt;/a&gt;, although I cannot say that it is altogether user friendly. Basically you have to know exactly what it is that you are looking for. Nonetheless, definitely well worth a visit.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Below are two posters linked from there: Armin Hoffmann (top), Ralph Schraivogel (bottom)&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://ccsa.admin.ch/cgi-bin/hi-res/get_image.cgi?x=321.875&amp;amp;y=451.25&amp;amp;res=2&amp;amp;width=643&amp;amp;height=902&amp;amp;filename=/data/dbadmin/htdocs/hi-res/images/sid/SNL_EXPO_562.sid" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="700" src="http://ccsa.admin.ch/cgi-bin/hi-res/get_image.cgi?x=321.875&amp;amp;y=451.25&amp;amp;res=2&amp;amp;width=643&amp;amp;height=902&amp;amp;filename=/data/dbadmin/htdocs/hi-res/images/sid/SNL_EXPO_562.sid" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://ccsa.admin.ch/cgi-bin/hi-res/get_image.cgi?x=313.5&amp;amp;y=429.5&amp;amp;res=2&amp;amp;width=627&amp;amp;height=859&amp;amp;filename=/data/dbadmin/htdocs/hi-res/images/sid/BN_1996_02.sid" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="710" src="http://ccsa.admin.ch/cgi-bin/hi-res/get_image.cgi?x=313.5&amp;amp;y=429.5&amp;amp;res=2&amp;amp;width=627&amp;amp;height=859&amp;amp;filename=/data/dbadmin/htdocs/hi-res/images/sid/BN_1996_02.sid" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-2759274944095548951?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/2759274944095548951/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/03/swiss-poster-collection.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2759274944095548951'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2759274944095548951'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/03/swiss-poster-collection.html' title='Swiss poster collection'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-661329635886633</id><published>2011-03-27T01:16:00.003+02:00</published><updated>2011-04-11T11:33:52.772+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Antiquity'/><category scheme='http://www.blogger.com/atom/ns#' term='Hieroglyphics'/><category scheme='http://www.blogger.com/atom/ns#' term='Rosetta Stone'/><title type='text'>The Rosetta Stone</title><content type='html'>&lt;div style="text-align: justify;"&gt;Soldiers in Napoleon's army discovered the Rosetta Stone in 1799 while digging the foundations of an addition to a fort near the town of el-Rashid (Rosetta). On Napoleon's defeat, the stone became the property of the British under the terms of the Treaty of Alexandria (1801) along with other antiquities that the French had found. The Rosetta Stone has been exhibited in the British Museum since 1802, with only one break. Towards the end of the First World War, in 1917, when the Museum was concerned about heavy bombing in London, they moved it to safety along with other, portable, 'important' objects. The Rosetta Stone spent the next two years in a station on the Postal Tube Railway 50 feet below the ground at Holborn.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/5/57/Rosetta_Stone_International_Congress_of_Orientalists_ILN_1874.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="345" src="http://upload.wikimedia.org/wikipedia/commons/5/57/Rosetta_Stone_International_Congress_of_Orientalists_ILN_1874.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;A valuable key to the decipherment of hieroglyphs, the inscription on the Rosetta Stone is a decree passed by a council of priests. It is one of a series that affirm the royal cult of the 13-year-old Ptolemy V on the first anniversary of his coronation. The decree is inscribed on the stone three times, in hieroglyphic (suitable for a priestly decree), demotic (the native script used for daily purposes), and Greek (the language of the administration). The importance of this to Egyptology is, of course, immense.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.britishmuseum.org/explore/highlights/highlight_objects/aes/t/the_rosetta_stone.aspx"&gt;More on the stone can be read on the British Museum's page here &amp;gt;&amp;gt;&amp;gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.britishmuseum.org/images/an16456b_l.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="500" src="http://www.britishmuseum.org/images/an16456b_l.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/thumb/0/02/Rosetta_Stone._%281874%29_-_TIMEA.jpg/420px-Rosetta_Stone._%281874%29_-_TIMEA.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="599" src="http://upload.wikimedia.org/wikipedia/commons/thumb/0/02/Rosetta_Stone._%281874%29_-_TIMEA.jpg/420px-Rosetta_Stone._%281874%29_-_TIMEA.jpg" width="420" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-661329635886633?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/661329635886633/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/03/rosetta-stone.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/661329635886633'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/661329635886633'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/03/rosetta-stone.html' title='The Rosetta Stone'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-5845439075318905204</id><published>2011-03-20T22:59:00.006+02:00</published><updated>2011-04-24T17:55:41.317+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Audubon'/><category scheme='http://www.blogger.com/atom/ns#' term='illustration'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>Audubon's "Birds of America"</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/thumb/a/a5/201_Canada_Goose.jpg/418px-201_Canada_Goose.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="599" src="http://upload.wikimedia.org/wikipedia/commons/thumb/a/a5/201_Canada_Goose.jpg/418px-201_Canada_Goose.jpg" width="418" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/thumb/6/6e/211_Great_blue_Heron.jpg/418px-211_Great_blue_Heron.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="599" src="http://upload.wikimedia.org/wikipedia/commons/thumb/6/6e/211_Great_blue_Heron.jpg/418px-211_Great_blue_Heron.jpg" width="418" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Only two of the full collection found on wikimedia:&lt;br /&gt;&lt;a href="http://commons.wikimedia.org/wiki/Birds_of_America"&gt;http://commons.wikimedia.org/wiki/Birds_of_America&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-5845439075318905204?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/5845439075318905204/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/03/audubons-birds-of-america.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5845439075318905204'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5845439075318905204'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/03/audubons-birds-of-america.html' title='Audubon&apos;s &quot;Birds of America&quot;'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-2416321875516868815</id><published>2011-03-14T01:26:00.005+02:00</published><updated>2011-04-11T11:36:03.034+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Blogs'/><title type='text'>easy peasy design...</title><content type='html'>&lt;div style="text-align: justify;"&gt;My apologies for having neglected this blog over the past few weeks. The reason is here:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://easypeasydesign.blogspot.com/"&gt;http://easypeasydesign.blogspot.com/&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;For the past 2 years I have been teaching a web design class during the Spring semester. This is a course which a lot of non-design majors, particularly from our Faculty of Engineering, take together with our Visual Communication Design majors. In fact, usually the percentages go much in favor of non-designers. Last year I made small online tutorials for them, which are also linked to this blog somewhere. This year I decided to take things a bit further and started a full blown dedicated blog, where I am giving them tips, showing them resources, even some tutorials and such.&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;I am having a really great time with the new domain - &amp;nbsp;which does not mean that I forgot all about this one. I will certainly come back to it. However, for now my blogging energies are focused there more than here and I hope that you will go and visit this new one also.&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-2416321875516868815?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/2416321875516868815/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/03/easy-peasy-design.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2416321875516868815'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2416321875516868815'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/03/easy-peasy-design.html' title='easy peasy design...'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-6768345381823349407</id><published>2011-02-28T19:16:00.008+02:00</published><updated>2011-04-11T11:36:32.616+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Virtual Worlds'/><category scheme='http://www.blogger.com/atom/ns#' term='Science Fiction'/><category scheme='http://www.blogger.com/atom/ns#' term='Cyberpunk'/><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><category scheme='http://www.blogger.com/atom/ns#' term='21st Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Art and Technology'/><title type='text'>Kahn + Selesnick's imaginings of future selves...</title><content type='html'>&lt;div style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;a href="http://synapticstimuli.com/wp-content/uploads/2010/11/tumblr_l7bpxxnEu91qcp48fo1_r1_1280-790x790.jpg"&gt;&lt;img alt="" class="alignnone" height="474" src="http://synapticstimuli.com/wp-content/uploads/2010/11/tumblr_l7bpxxnEu91qcp48fo1_r1_1280-790x790.jpg" style="border: 0pt none; margin: 0pt;" title="exoplanetary04" width="474" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;a href="http://synapticstimuli.com/wp-content/uploads/2010/11/tumblr_l7bkxwOlm11qcp48fo1_r2_1280-790x790.jpg"&gt;&lt;img alt="" class="alignnone" height="474" src="http://synapticstimuli.com/wp-content/uploads/2010/11/tumblr_l7bkxwOlm11qcp48fo1_r2_1280-790x790.jpg" style="border: 0pt none; margin: 0pt;" title="exoplanetary03" width="474" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;a href="http://synapticstimuli.com/wp-content/uploads/2010/11/tumblr_l7bqeiY4TD1qcp48fo1_1280-790x790.jpg"&gt;&lt;img alt="" class="alignnone" height="474" src="http://synapticstimuli.com/wp-content/uploads/2010/11/tumblr_l7bqeiY4TD1qcp48fo1_1280-790x790.jpg" style="border: 0pt none; margin: 0pt;" title="exoplanetary02" width="474" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;a href="http://synapticstimuli.com/wp-content/uploads/2010/11/tumblr_l9s25uMgzy1qcp48fo1_r1_1280-790x790.jpg"&gt;&lt;img alt="" class="alignnone" height="474" src="http://synapticstimuli.com/wp-content/uploads/2010/11/tumblr_l9s25uMgzy1qcp48fo1_r1_1280-790x790.jpg" style="border: 0pt none; margin: 0pt;" title="exoplanetary01" width="474" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://synapticstimuli.com/exoplanetary/" target="_blank"&gt;http://synapticstimuli.com/exoplanetary/&lt;/a&gt;, via &lt;a href="http://www.realitysandwich.com/slideshow/kahnselesnick" target="_blank"&gt;Reality Sandwich&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Kahn + Selesnick's blog can be found here: &lt;a href="http://kahnselesnick.tumblr.com/"&gt;http://kahnselesnick.tumblr.com/ &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-6768345381823349407?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/6768345381823349407/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/kahn-selesnicks-imaginings-of-future.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6768345381823349407'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6768345381823349407'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/kahn-selesnicks-imaginings-of-future.html' title='Kahn + Selesnick&apos;s imaginings of future selves...'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-6039418423926309186</id><published>2011-02-25T14:19:00.006+02:00</published><updated>2011-04-11T11:36:42.365+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Italy'/><category scheme='http://www.blogger.com/atom/ns#' term='Avantgarde'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Futurism'/><category scheme='http://www.blogger.com/atom/ns#' term='Depero'/><category scheme='http://www.blogger.com/atom/ns#' term='Objects'/><category scheme='http://www.blogger.com/atom/ns#' term='Art Deco'/><title type='text'>The Depero Museum</title><content type='html'>&lt;div style="text-align: justify;"&gt;The Depero Museum in Trento, Italy holds over 3000 objects which were gifted to the city by the Futurist artist/designer in 1957. &lt;a href="http://en.wikipedia.org/wiki/Fortunato_Depero"&gt;Fortunato Depero&lt;/a&gt;'s work (1892-1960) covers a broad range of art and design disciplines, ranging from stage/costume design, to furniture to graphic design. &lt;a href="http://www.designboom.com/eng/"&gt;Designboom&lt;/a&gt; visited the museum and has put a substantial image collection on their excellent blog:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.designboom.com/weblog/cat/8/view/5247/fortunato-depero-museum.html"&gt;http://www.designboom.com/weblog/cat/8/view/5247/fortunato-depero-museum.html&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Images below show costume design for 1920s avant-garde theatre/performance (top); a display stand for Campari from 1926 (middle); and furniture design (bottom).&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.designboom.com/snapshot/photo/full/1074/DSC_0191.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://www.designboom.com/snapshot/photo/full/1074/DSC_0191.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.designboom.com/snapshot/photo/full/1073/d1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://www.designboom.com/snapshot/photo/full/1073/d1.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.designboom.com/snapshot/photo/full/1073/R0012167.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://www.designboom.com/snapshot/photo/full/1073/R0012167.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-6039418423926309186?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/6039418423926309186/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/depero-museum.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6039418423926309186'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6039418423926309186'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/depero-museum.html' title='The Depero Museum'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3960323189912932952</id><published>2011-02-25T13:25:00.002+02:00</published><updated>2011-04-11T11:36:51.891+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Botanical illustration'/><category scheme='http://www.blogger.com/atom/ns#' term='illustration'/><title type='text'>Jan Meemelink: Botanical Prints</title><content type='html'>&lt;div style="text-align: justify;"&gt;Index for over 4.500 flower and fruit prints, each with an extensive  description and illustration, arranged by plant family:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.meemelink.com/prints%20pages/prints-index.html" target="_blank"&gt;http://www.meemelink.com/prints%20pages/prints-index.html&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://www.meemelink.com/prints%20pages/prints-index.html" target="_blank"&gt;&lt;img alt="" class="alignnone" height="650" src="http://www.meemelink.com/prints%20images/22869.Rosaceae%20-%20Fragaria%7E.jpg" style="border: 0pt none; margin: 0pt;" title="str" width="502" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3960323189912932952?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3960323189912932952/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/jan-meemelink-botanical-prints.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3960323189912932952'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3960323189912932952'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/jan-meemelink-botanical-prints.html' title='Jan Meemelink: Botanical Prints'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-2410781233155586038</id><published>2011-02-25T13:20:00.003+02:00</published><updated>2011-04-11T11:37:01.662+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Modernism'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Milton Glaser'/><category scheme='http://www.blogger.com/atom/ns#' term='Post WW2'/><category scheme='http://www.blogger.com/atom/ns#' term='Steve Heller'/><title type='text'>Container List</title><content type='html'>A rich blog maintained by the Milton Glaser Design Study Center, featuring weekly graphics and ephemera from the design archives at the School of Visual Arts. Excellent resource including several important collections such as Steve Heller's. Not only Milton Glaser's output but the whole epoch, including the output of the likes of Seymour Chwast and Ivan Chermayeff is represented:&lt;br /&gt;&lt;a href="http://containerlist.glaserarchives.org/"&gt;http://containerlist.glaserarchives.org/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-2410781233155586038?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/2410781233155586038/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/container-list.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2410781233155586038'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2410781233155586038'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/container-list.html' title='Container List'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-6023613141960739440</id><published>2011-02-22T18:15:00.006+02:00</published><updated>2011-05-08T16:43:39.325+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Botanical illustration'/><category scheme='http://www.blogger.com/atom/ns#' term='Curio'/><category scheme='http://www.blogger.com/atom/ns#' term='Rare Books'/><category scheme='http://www.blogger.com/atom/ns#' term='Medieval'/><category scheme='http://www.blogger.com/atom/ns#' term='Manuscript'/><category scheme='http://www.blogger.com/atom/ns#' term='15th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Illuminated Manuscript'/><title type='text'>The Voynich Manuscript</title><content type='html'>&lt;div style="text-align: justify;"&gt;This is a handwritten book thought to have been authored in the early 15th century. It consists of 240 pages, most of them with illustrations. The author, script, and the language remain unknown and  thus it has also been described as the world’s most mysterious  manuscript.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Below are two pages showing botanical illustrations. The full book can be viewed here: &lt;a href="http://voynichcentral.com/gallery/"&gt;http://voynichcentral.com/gallery/&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://voynichcentral.com/gallery/albums/Quire-1/f2r.sized.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://voynichcentral.com/gallery/albums/Quire-1/f2r.sized.jpg" width="456" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://voynichcentral.com/gallery/albums/Quire-3/f19r.sized.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://voynichcentral.com/gallery/albums/Quire-3/f19r.sized.jpg" width="472" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-6023613141960739440?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/6023613141960739440/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/voynich-manuscript.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6023613141960739440'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6023613141960739440'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/voynich-manuscript.html' title='The Voynich Manuscript'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-6973401739349980020</id><published>2011-02-17T18:49:00.003+02:00</published><updated>2011-04-11T11:37:21.696+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Archive'/><category scheme='http://www.blogger.com/atom/ns#' term='Collection'/><category scheme='http://www.blogger.com/atom/ns#' term='Victoriana'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>From 1887: "Typo: A Monthly Newspaper and Literary Review, Volume 1, Issue 1"</title><content type='html'>&lt;div style="text-align: justify;"&gt;Brilliant!&lt;a href="http://www.nzetc.org/tm/scholarly/tei-Har01Typo-t1-g1-t1.html"&gt; A page by page archive of a typographic journal/resource published in 1887 in New Zealand&lt;/a&gt;, edited by a Mr. Robert Coupland Harding (1849–1916), is available at the &lt;a href="http://www.nzetc.org/"&gt;New Zealand Electronic Text Center&lt;/a&gt;. All of the original and unabridged text in html format, and then each page has a huge sized jpeg image such as the one linked from below, so please be sure to click on the tiny thumbnails on the top left:&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.nzetc.org/etexts/Har01Typo/Har01Typo092.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="630" src="http://www.nzetc.org/etexts/Har01Typo/Har01Typo092.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-6973401739349980020?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/6973401739349980020/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/from-1887-typo-monthly-newspaper-and.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6973401739349980020'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6973401739349980020'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/from-1887-typo-monthly-newspaper-and.html' title='From 1887: &quot;Typo: A Monthly Newspaper and Literary Review, Volume 1, Issue 1&quot;'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-4986505690621772383</id><published>2011-02-16T21:16:00.005+02:00</published><updated>2011-04-11T11:37:34.834+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Map'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Americana'/><category scheme='http://www.blogger.com/atom/ns#' term='Victoriana'/><category scheme='http://www.blogger.com/atom/ns#' term='Typography'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>Map Typography from the early 20th Century</title><content type='html'>&lt;div style="text-align: justify;"&gt;A selection of images from the blogpost entitled &lt;a href="http://bibliodyssey.blogspot.com/2011/02/sanborn-fire-insurance-map-typography.html"&gt;Sanborn Fire Insurance Map Typography&lt;/a&gt; published on the &lt;a href="http://bibliodyssey.blogspot.com/"&gt;BibliOdyssey blog&lt;/a&gt; earlier this week in which title pages, headings and letterforms of maps issued between 1880 and 1920 by the Sanborn company are shown. The images below are from the Virginia map  from October 1907 (top); the South Carolina map from June 1919 (middle); and the Washington DC map from1903 (bottom).&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-8dS5u7ZakLc/TVfMz1mz14I/AAAAAAAAHYU/4k-oQV9xawQ/s1600/Charlottesville%252C%2BVirginia%252C%2BOctober%2B1907.jpg" imageanchor="1"&gt;&lt;img border="0" height="420" src="http://4.bp.blogspot.com/-8dS5u7ZakLc/TVfMz1mz14I/AAAAAAAAHYU/4k-oQV9xawQ/s1600/Charlottesville%252C%2BVirginia%252C%2BOctober%2B1907.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm6.static.flickr.com/5136/5441054860_65e1613ea6_z.jpg" imageanchor="1"&gt;&lt;img border="0" height="620" src="http://farm6.static.flickr.com/5136/5441054860_65e1613ea6_z.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm5.static.flickr.com/4100/5441472243_4b35a7d1ca_b.jpg" imageanchor="1"&gt;&lt;img border="0" height="750" src="http://farm5.static.flickr.com/4100/5441472243_4b35a7d1ca_b.jpg" width="512" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-4986505690621772383?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/4986505690621772383/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/map-typography-from-early-20th-century.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/4986505690621772383'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/4986505690621772383'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/map-typography-from-early-20th-century.html' title='Map Typography from the early 20th Century'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-8dS5u7ZakLc/TVfMz1mz14I/AAAAAAAAHYU/4k-oQV9xawQ/s72-c/Charlottesville%252C%2BVirginia%252C%2BOctober%2B1907.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-6249591917418013712</id><published>2011-02-16T20:54:00.006+02:00</published><updated>2011-04-11T11:37:46.626+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Rare Books'/><category scheme='http://www.blogger.com/atom/ns#' term='Medieval'/><category scheme='http://www.blogger.com/atom/ns#' term='Christianity'/><category scheme='http://www.blogger.com/atom/ns#' term='Book Binding'/><title type='text'>Medieval Christian Book Bindings from the Walters Art Museum</title><content type='html'>&lt;div style="text-align: justify;"&gt;Beautiful online exhibitions from the collection of the Walter Art Museum in Baltimore can be found here: &lt;a href="http://thewalters.org/"&gt;http://thewalters.org/&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;I found these Christian Medieval book bindings in their &lt;a href="http://art.thewalters.org/viewgallery.aspx?id=1255"&gt;rare manuscripts collection&lt;/a&gt;. Below, from the top is the cover of a bible of which the artist is William de Brailes (English, active ca. 1230), and the binder is Léon Gruel (French, 1841-1923) (top); a gospel created by T'oros Roslin (Armenian, active 1256-1268) (middle); and the cover of the The Mondsee Gospels by Othlon of Regensburg (German, active ca. 1030-ca. 1050).&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://art.thewalters.org/imagecache/PL7_W.106_Fnt_BW_d.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="561" src="http://art.thewalters.org/imagecache/PL7_W.106_Fnt_BW_d.jpg" width="444" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://art.thewalters.org/imagecache/ARG_W.539_ClsdFnt_UK_d.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="560" src="http://art.thewalters.org/imagecache/ARG_W.539_ClsdFnt_UK_d.jpg" width="440" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://art.thewalters.org/imagecache/PS1_W.8_Fnt_DD_T10_d.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="561" src="http://art.thewalters.org/imagecache/PS1_W.8_Fnt_DD_T10_d.jpg" width="470" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-6249591917418013712?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/6249591917418013712/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/medieval-christian-book-bindings-from.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6249591917418013712'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6249591917418013712'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/medieval-christian-book-bindings-from.html' title='Medieval Christian Book Bindings from the Walters Art Museum'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3844438479762073661</id><published>2011-02-13T22:11:00.003+02:00</published><updated>2011-04-11T11:37:59.341+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Nostalgia'/><category scheme='http://www.blogger.com/atom/ns#' term='Curio'/><category scheme='http://www.blogger.com/atom/ns#' term='Victoriana'/><category scheme='http://www.blogger.com/atom/ns#' term='Objects'/><category scheme='http://www.blogger.com/atom/ns#' term='Ephemera'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>Apothecary Pharaphernalia</title><content type='html'>Not much need for a lot of words...&lt;br /&gt;&lt;br /&gt;More of these can be seen on an &lt;a href="http://www.antiquehelper.com/catalog.php?id=186&amp;page=4"&gt;auction page at Antique Helper&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.antiquehelper.com/auctionimages/37955t.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="420" width="510" src="http://www.antiquehelper.com/auctionimages/37955t.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.antiquehelper.com/auctionimages/37954t.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="420" width="510" src="http://www.antiquehelper.com/auctionimages/37954t.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.antiquehelper.com/auctionimages/37941t.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="420" width="510" src="http://www.antiquehelper.com/auctionimages/37941t.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3844438479762073661?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3844438479762073661/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/apothecary-pharaphernalia.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3844438479762073661'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3844438479762073661'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/apothecary-pharaphernalia.html' title='Apothecary Pharaphernalia'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-5967474788758243084</id><published>2011-02-11T22:53:00.008+02:00</published><updated>2011-04-11T11:38:10.740+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Resource'/><title type='text'>Non-Lorem Ipsum Text Generators</title><content type='html'>&lt;div style="text-align: justify;"&gt;Here are a few great little alternatives for dummy text which you may wish to check out -  if (like me) you are tired of using boring old Lorem Ipsum all the time:&lt;br /&gt;&lt;a href="http://johno.jsmf.net/knowhow/ngrams/index.php"&gt;http://johno.jsmf.net/knowhow/ngrams/index.php &lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.malevole.com/mv/misc/text/"&gt;http://www.malevole.com/mv/misc/text/&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.blindtextgenerator.com/lorem-ipsum"&gt;http://www.blindtextgenerator.com/lorem-ipsum &lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.adhesiontext.com/"&gt;http://www.adhesiontext.com/&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.dummytextgenerator.com/"&gt;http://www.dummytextgenerator.com/&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.lorizzle.nl/"&gt;http://www.lorizzle.nl/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-5967474788758243084?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/5967474788758243084/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/non-lorem-ipsum-text-generator.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5967474788758243084'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5967474788758243084'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/non-lorem-ipsum-text-generator.html' title='Non-Lorem Ipsum Text Generators'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3451145672314245272</id><published>2011-02-11T22:39:00.004+02:00</published><updated>2011-04-11T11:38:25.361+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Francesco Griffo'/><category scheme='http://www.blogger.com/atom/ns#' term='15th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Typography'/><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary'/><category scheme='http://www.blogger.com/atom/ns#' term='Bembo'/><category scheme='http://www.blogger.com/atom/ns#' term='Renaissance'/><category scheme='http://www.blogger.com/atom/ns#' term='Aldus Manutius'/><title type='text'>Bembo...</title><content type='html'>&lt;div style="text-align: justify;"&gt;... is the name of the typeface which &lt;a href="http://en.wikipedia.org/wiki/Francesco_Griffo"&gt;Francesco Griffo&lt;/a&gt;, working for the Aldine Press under &lt;a href="http://en.wikipedia.org/wiki/Aldus_Manutius"&gt;Aldus  Manutius&lt;/a&gt;, cut for Venetian scholar Cardinal &lt;a href="http://en.wikipedia.org/wiki/Pietro_Bembo"&gt;Pietro Bembo&lt;/a&gt; in 1495.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_5N_ypMLQrqU/TCPh0ACp8ZI/AAAAAAAAAOM/APV-uQBm1NM/s1600/42+x+59+Especimen+Bembo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="730" src="http://3.bp.blogspot.com/_5N_ypMLQrqU/TCPh0ACp8ZI/AAAAAAAAAOM/APV-uQBm1NM/s1600/42+x+59+Especimen+Bembo.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;One of the noteworthy things about Bembo is the&amp;nbsp; fascination which contemporary graphic designers show for this 500+ year old typeface. Below are an anonymous poster based upon Bembo (top), &lt;i&gt;"Bembo Type Work"&lt;/i&gt; by *Xantiel (middle), and &lt;i&gt;"Font Poster"&lt;/i&gt; by creativespirit18 (bottom); all found on a forum thread of &lt;a href="http://www.ultrabold.net/forums/showthread.php?t=36"&gt;ultrabold.net&lt;/a&gt;. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: justify;"&gt;&lt;a href="http://fc02.deviantart.net/fs25/i/2008/160/0/9/Bembo_Font_by_Vellfarre.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="660" src="http://fc02.deviantart.net/fs25/i/2008/160/0/9/Bembo_Font_by_Vellfarre.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://fc05.deviantart.net/fs23/i/2007/340/7/1/Bembo_Type_Work_by_Xantiel.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="350" src="http://fc05.deviantart.net/fs23/i/2007/340/7/1/Bembo_Type_Work_by_Xantiel.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://fc03.deviantart.net/fs7/i/2005/157/b/6/Font_Poster_by_creativespirit18.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="670" src="http://fc03.deviantart.net/fs7/i/2005/157/b/6/Font_Poster_by_creativespirit18.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;And of course no post on the influences of Bembo on contemporary graphic design would ever be complete without a link to that utter delight &lt;a href="http://www.bemboszoo.com/"&gt;Bembo's Zoo&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.bellebebes.co.uk/wp-content/uploads/2010/12/Animals.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="1000" src="http://www.bellebebes.co.uk/wp-content/uploads/2010/12/Animals.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3451145672314245272?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3451145672314245272/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/bembo.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3451145672314245272'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3451145672314245272'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/bembo.html' title='Bembo...'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_5N_ypMLQrqU/TCPh0ACp8ZI/AAAAAAAAAOM/APV-uQBm1NM/s72-c/42+x+59+Especimen+Bembo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3494806688446326839</id><published>2011-02-11T21:48:00.009+02:00</published><updated>2011-04-11T11:38:35.078+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Map'/><category scheme='http://www.blogger.com/atom/ns#' term='Americana'/><category scheme='http://www.blogger.com/atom/ns#' term='Victoriana'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>U.S. Panoramic Maps</title><content type='html'>&lt;div style="text-align: justify;"&gt;The Panoramic Map was a popular cartographic form used to depict U.S. and Canadian cities and towns during the late nineteenth and early twentieth centuries. Known also as bird's-eye views, perspective maps, and aero views, panoramic maps are non-photographic representations of cities portrayed as if viewed from above at an oblique angle. Although not generally drawn to scale, they show street patterns, individual buildings, and major landscape features in perspective. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Below are three beauties from the website of the &lt;a href="http://www.ushistoricalarchive.com/panoramic-maps"&gt;U.S. Historical Archive&lt;/a&gt;. The two above show St. Louis, Missouri from 1884 and 1848, while the one below shows Exeter, New Hampshire from the year 1896.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.ushistoricalarchive.com/sites/default/files/products/im/pm/missouri/30.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://www.ushistoricalarchive.com/sites/default/files/products/im/pm/missouri/30.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.ushistoricalarchive.com/sites/default/files/products/im/pm/missouri/24.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://www.ushistoricalarchive.com/sites/default/files/products/im/pm/missouri/24.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.ushistoricalarchive.com/sites/default/files/products/im/pm/newhampshire/11.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://www.ushistoricalarchive.com/sites/default/files/products/im/pm/newhampshire/11.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;And then below is another really great one, depicting San Francisco in the year 1860, which I found on a very nice site called &lt;a href="http://www.historicmapsrestored.com/"&gt;Historic Maps Restored&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.historicmapsrestored.com/media/maps/panoramic/san_francisco_ca_pan_1860_b.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="400" width="510" src="http://www.historicmapsrestored.com/media/maps/panoramic/san_francisco_ca_pan_1860_b.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3494806688446326839?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3494806688446326839/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/us-panoramic-maps.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3494806688446326839'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3494806688446326839'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/us-panoramic-maps.html' title='U.S. Panoramic Maps'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-4675069715188294685</id><published>2011-02-07T16:56:00.005+02:00</published><updated>2011-05-08T16:44:31.865+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='William Morris'/><category scheme='http://www.blogger.com/atom/ns#' term='Arts and Crafts'/><category scheme='http://www.blogger.com/atom/ns#' term='Illuminated Manuscript'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>The Kelmscott Press</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="http://en.wikipedia.org/wiki/William_Morris"&gt;William Morris&lt;/a&gt;         established the &lt;a href="http://special.lib.gla.ac.uk/teach/privatepress/kelmscott.html"&gt;Kelmscott Press&lt;/a&gt; at Hammersmith in January 1891. Between         then and 1898, the press produced 53 books (totalling some 18,000         copies). Kelmscott was the culmination of Morris's life as a craftsman         in many diverse fields. He set out to prove that the high standards of         the past could be repeated - even surpassed - in the present. The books         Morris produced were therefore medieval in design, modelled on the incunabula of the         fifteenth century.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Below are the title-page &amp;amp; opening from Rossetti's &lt;i&gt;"Ballads and Narrative Poems"&lt;/i&gt;, published in 1893 (top); the end of the preface and opening of &lt;i&gt;"The Nature of Gothic"&lt;/i&gt;, published in 1892 (middle); and the opening from &lt;i&gt;"The History of Godefrey of Boulogne"&lt;/i&gt;, published in 1893 (bottom).&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://special.lib.gla.ac.uk/images/privatepress/hepburn246_tp.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="350" src="http://special.lib.gla.ac.uk/images/privatepress/hepburn246_tp.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://special.lib.gla.ac.uk/images/privatepress/Spcoll1127_v.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="360" src="http://special.lib.gla.ac.uk/images/privatepress/Spcoll1127_v.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://special.lib.gla.ac.uk/images/privatepress/Spcollq435_1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://special.lib.gla.ac.uk/images/privatepress/Spcollq435_1.jpg" width="270" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-4675069715188294685?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/4675069715188294685/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/kelmscott-press.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/4675069715188294685'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/4675069715188294685'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/kelmscott-press.html' title='The Kelmscott Press'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-4558804999872012050</id><published>2011-02-06T15:01:00.004+02:00</published><updated>2011-04-21T12:36:04.698+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Modernism'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Swiss Style'/><title type='text'>ECM Music</title><content type='html'>&lt;div style="text-align: justify;"&gt;Founded by producer Manfred Eicher in 1969, ECM has issued over a thousand albums spanning many idioms, including standard-setting jazz recordings by Keith Jarrett, Paul Bley, Jan Garbarek, Chick Corea, Pat Metheny, the Art Ensemble of Chicago and others:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.ecmrecords.com/Startseite/startseite.php"&gt;http://www.ecmrecords.com/Startseite/startseite.php&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Importantly, for the field of graphic design Ecm has also pursued a consistent visual language based upon an interpretation of Swiss Style in its album covers. Very clean typography, often coupled with very beautiful , minimalistic photographs... Unfortunately the ECM site shows only small thumbnails. However &lt;a href="http://www.google.com.tr/images?q=ecm+records&amp;amp;hl=en&amp;amp;client=firefox-a&amp;amp;hs=Gli&amp;amp;rls=org.mozilla:en-US:official&amp;amp;prmd=ivnsl&amp;amp;source=lnms&amp;amp;tbs=isch:1&amp;amp;ei=EoNOTeTXMY7DswaC0sGQDQ&amp;amp;sa=X&amp;amp;oi=mode_link&amp;amp;ct=mode&amp;amp;cd=2&amp;amp;ved=0CAcQ_AUoAQ&amp;amp;biw=1916&amp;amp;bih=914"&gt;a google image search&lt;/a&gt; will give you nice results, 4 of which I have linked to here:&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www3.sympatico.ca/alan.teder/exodus.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="480" src="http://www3.sympatico.ca/alan.teder/exodus.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://folkemusikk.custompublish.com/getfile.php/946879.1485.qfqaaryeqs/Monograph_Nils_%C3%98kland_foto_ecm.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="480" src="https://folkemusikk.custompublish.com/getfile.php/946879.1485.qfqaaryeqs/Monograph_Nils_%C3%98kland_foto_ecm.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.lotusrecords.at/fileadmin/lotus/pics/ECM2064.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="480" src="http://www.lotusrecords.at/fileadmin/lotus/pics/ECM2064.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-4558804999872012050?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/4558804999872012050/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/ecm-records.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/4558804999872012050'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/4558804999872012050'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/ecm-records.html' title='ECM Music'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-1217369822131785812</id><published>2011-02-05T01:42:00.007+02:00</published><updated>2011-04-11T11:39:16.477+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Nostalgia'/><category scheme='http://www.blogger.com/atom/ns#' term='Virtual Worlds'/><category scheme='http://www.blogger.com/atom/ns#' term='Computer'/><category scheme='http://www.blogger.com/atom/ns#' term='21st Century'/><category scheme='http://www.blogger.com/atom/ns#' term='illustration'/><category scheme='http://www.blogger.com/atom/ns#' term='Victoriana'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>Tigre Milena's "Virtual" Victoriana</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.flickr.com/photos/52520931@N04/" target="_blank"&gt;Tigre Milena, aka. Doni Parlanti&lt;/a&gt; is a high powered professional in a field completely unrelated to Victorian fairy tales.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In her "other" life Tigre is an avatar in the virtual world of &lt;a href="http://secondlife.com/" target="_blank"&gt;Second Life&lt;/a&gt;®, where she shows skills and talents which have nothing whatsoever to do with the demands of her "Real Life" job: Tigre sets up complex scenes (which are actually lived-in locations within her own virtual home), populated with the costumed avatars of her close friends as well as her own "alt" avatars. She then takes virtual photographs of these scenes and proceeds to re-create them as 19th century inspired illustrations, which she does in fact &lt;i&gt;"dedicate to all the great Victorian illustrators of children's books"&lt;/i&gt;. The outcome is simply stunning, as the images below will show. Small wonder, since before all else Tigre holds a degree in arts and crafts. Since Tigre does not have a dedicated domain for these beauties I am going to link all of the series to here:&lt;/div&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/52520931@N04/5312113320/sizes/o/" target="_blank"&gt;&lt;img alt="" class="alignnone" height="354" src="http://farm6.static.flickr.com/5243/5312113320_d7e5036ec5.jpg" style="border: 0pt none; margin: 0pt;" title="TM01" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;"Bedtime Tales"&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/52520931@N04/5399459490/sizes/o/" target="_blank"&gt;&lt;img alt="" class="alignnone" height="354" src="http://farm6.static.flickr.com/5056/5399459490_d109424781.jpg" style="border: 0pt none; margin: 0pt;" title="TM02" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;"Where's the cheese?"&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/52520931@N04/5412148740/sizes/o/"&gt;&lt;img alt="" class="alignnone" height="354" src="http://farm5.static.flickr.com/4110/5412148740_34ac7f587a.jpg" title="TM03" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;"Charades" &lt;/i&gt;(inspired by  the book Vanity Fair (1848) by William Makepeace Thackeray)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/52520931@N04/5415159917/sizes/o/" target="_blank"&gt;&lt;img alt="" class="alignnone" height="354" src="http://farm6.static.flickr.com/5055/5415159917_8b41c006f2.jpg" style="border: 0pt none; margin: 0pt;" title="TM04" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;"A scrub in the tub"&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-1217369822131785812?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/1217369822131785812/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/tigre-milenas-victorian-illustrations.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1217369822131785812'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1217369822131785812'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/tigre-milenas-victorian-illustrations.html' title='Tigre Milena&apos;s &quot;Virtual&quot; Victoriana'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm6.static.flickr.com/5243/5312113320_d7e5036ec5_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-1942191971442672084</id><published>2011-02-04T13:40:00.006+02:00</published><updated>2011-04-11T11:39:28.651+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='3D'/><category scheme='http://www.blogger.com/atom/ns#' term='Computer'/><category scheme='http://www.blogger.com/atom/ns#' term='Curio'/><category scheme='http://www.blogger.com/atom/ns#' term='Architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='Cyberpunk'/><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><category scheme='http://www.blogger.com/atom/ns#' term='21st Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Art and Technology'/><title type='text'>David Trautrimas</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.trautrimas.ca/"&gt;http://www.trautrimas.ca/&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;David Trautrimas takes the components of familiar household appliances and transforms them into ironic/iconic architectural landscape paintings such as top secret Cold War era military outposts or residential building sites.  The images below are &lt;i&gt;"Micro Re-Instigator"&lt;/i&gt; from the The Spyfrost series (top), &lt;i&gt;"The Fishing Complex"&lt;/i&gt; (middle) and the &lt;i&gt;"Coffee Pot Towers"&lt;/i&gt; (bottom) from the Habitat series.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.trautrimas.ca/frost/Micro-Re-Instigator.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="330" src="http://www.trautrimas.ca/frost/Micro-Re-Instigator.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.trautrimas.ca/habitat_machines_pages/images/full/trautrimas-the-fishing-complex.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="330" src="http://www.trautrimas.ca/habitat_machines_pages/images/full/trautrimas-the-fishing-complex.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.trautrimas.ca/habitat_machines_pages/images/full/trautrimas-coffee-pot-towers.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="680" src="http://www.trautrimas.ca/habitat_machines_pages/images/full/trautrimas-coffee-pot-towers.jpg" width="430" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-1942191971442672084?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/1942191971442672084/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/david-trautrimas.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1942191971442672084'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1942191971442672084'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/david-trautrimas.html' title='David Trautrimas'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7796326101701616525</id><published>2011-02-04T00:49:00.008+02:00</published><updated>2011-04-11T11:39:37.944+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Nostalgia'/><category scheme='http://www.blogger.com/atom/ns#' term='Advertising'/><category scheme='http://www.blogger.com/atom/ns#' term='Modernism'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Post WW2'/><category scheme='http://www.blogger.com/atom/ns#' term='Collection'/><title type='text'>The Visual Telling of Stories</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.fulltable.com/CA/index.htm"&gt;http://www.fulltable.com/CA/index.htm&lt;/a&gt;: Fabulous resource on mid 20th century living, told through all kinds of visual material, mostly advertisements and editorial design. Here is what Chris Mullen has to say about his own site: &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;"Welcome to Chris Mullen's website, The Visual Telling of Stories. You can go to the main gate or shuffle about in the Samplers till you get some hang of the place. It was started in 1996. Material is added every day. It is far bigger than you could ever imagine. I don't blame you for backing out, with a polite cough. I'll never know."&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;And this is no exaggeration at all - the place is huge! But nonetheless nicely manageable through a clear menu which is separated into well defined categories, which will take you to wonders such as these:&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.fulltable.com/VTS/a/aa/fashion/bra/14.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="650" src="http://www.fulltable.com/VTS/a/aa/fashion/bra/14.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.fulltable.com/VTS/a/aa/six/SH834.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="330" src="http://www.fulltable.com/VTS/a/aa/six/SH834.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7796326101701616525?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7796326101701616525/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/visual-telling-of-stories.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7796326101701616525'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7796326101701616525'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/visual-telling-of-stories.html' title='The Visual Telling of Stories'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-2051072050078054847</id><published>2011-02-03T12:32:00.009+02:00</published><updated>2011-04-11T11:39:47.409+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music'/><category scheme='http://www.blogger.com/atom/ns#' term='Collection'/><category scheme='http://www.blogger.com/atom/ns#' term='Ephemera'/><title type='text'>Musical Ephemera</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="https://www.schubertiademusic.com/lots/index/catalog:18"&gt;Schubertiade Music&lt;/a&gt; deals in musical autographs, antiquarian music, music books, prints, photographs &amp;amp; paintings of musical interest, and rare musical ephemera. The collection covers a range from Dadaist concert posters designed by Tristan Tzara, to autographed score sheets by composers throughout the ages from Beethoven to Bing Crosby, to signed photographs of the likes of Fred Astaire and Josephine Baker. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Unfortunately the images provided are not of the greatest quality and their previews on the site are on the small side. (Note: the images are actually much larger, so make sure you right click on what you see in the pop up widow and  "view" the actual image). This said, it is a great specialty collection which is well worth checking out.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The images below are the cover of the score sheet of Beethoven's &lt;i&gt;Waldstein Sonata&lt;/i&gt; from 1806 (top); a primer of braille music by Edward Jenkins from 1956 (middle); and the cover page of a 3 page stapled typed plan to &lt;i&gt;"Lose Weight The 'Satchmo' Way"&lt;/i&gt; by Lucille Armstrong, compiled for Louis Armstrong, from 1970-71 (bottom).&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://www.schubertiademusic.com/img/catalog-14/Beethoven%20Waldstein.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="370" src="https://www.schubertiademusic.com/img/catalog-14/Beethoven%20Waldstein.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://www.schubertiademusic.com/img/catalog-14/Braille%20Music%201.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="350" src="https://www.schubertiademusic.com/img/catalog-14/Braille%20Music%201.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://www.schubertiademusic.com/img/catalog-14/Armstrong006.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"&gt;&lt;img border="0" height="600" width="450" src="https://www.schubertiademusic.com/img/catalog-14/Armstrong006.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-2051072050078054847?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/2051072050078054847/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/musical-mementos.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2051072050078054847'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2051072050078054847'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/musical-mementos.html' title='Musical Ephemera'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3818716491001443557</id><published>2011-02-03T12:30:00.004+02:00</published><updated>2011-04-11T11:39:56.666+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='3D'/><category scheme='http://www.blogger.com/atom/ns#' term='Fashion'/><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><category scheme='http://www.blogger.com/atom/ns#' term='21st Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary'/><category scheme='http://www.blogger.com/atom/ns#' term='Art and Technology'/><title type='text'>Fashion Art by Daniel Widrig</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.danielwidrig.com/index.php?back"&gt;Daniel Widrig&lt;/a&gt; studied architecture in Germany and the UK. After graduating from the Architectural Association in London with a Master’s Degree in Architecture and Urbanism in 2006 , he joined Zaha Hadid Architects where he worked on several major international projects. Since establishing his own studio in London, Widrig has been working on architectural concepts, products, objects and experimental furniture editions. His work has won several awards such as the FEIDAD Merit Award 2006, the Swiss Arts Award 2007. In 2008 Daniel Widrig won the Rome Prize. He is currently artist in residence at the German Academy, Villa Massimo in Rome. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Below are a few examples of Widrig's investigation into fashion art. The two images above are from the &lt;a href="http://www.danielwidrig.com/index.php?page=Work&amp;amp;id=Tmp"&gt;Escapism&lt;/a&gt; series (2010/11), shown at the Paris Fashion Week with &lt;a href="http://www.irisvanherpen.com/site/"&gt;Iris van Herpen&lt;/a&gt; and &lt;a href="http://www.mgxbymaterialise.com/"&gt;MGX&lt;/a&gt;. The image on the bottom is from the &lt;a href="http://www.danielwidrig.com/index.php?page=Work&amp;amp;id=Crystallization"&gt;Crystallization&lt;/a&gt; series (2010) shown at the Amsterdam Fashion Week, again with Iris Van Herpen and .MGX.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm6.static.flickr.com/5212/5409713053_828691fa92_z.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://farm6.static.flickr.com/5212/5409713053_828691fa92_z.jpg" width="398" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm6.static.flickr.com/5259/5410324578_b6c3b633ce_z.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://farm6.static.flickr.com/5259/5410324578_b6c3b633ce_z.jpg" width="398" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm5.static.flickr.com/4135/4821244101_e1e58ae23c.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="500" src="http://farm5.static.flickr.com/4135/4821244101_e1e58ae23c.jpg" width="407" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3818716491001443557?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3818716491001443557/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/fashion-art-by-daniel-widrig.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3818716491001443557'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3818716491001443557'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/fashion-art-by-daniel-widrig.html' title='Fashion Art by Daniel Widrig'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm6.static.flickr.com/5212/5409713053_828691fa92_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7785409454587746544</id><published>2011-02-02T14:48:00.009+02:00</published><updated>2011-04-11T11:40:08.806+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Textile'/><category scheme='http://www.blogger.com/atom/ns#' term='Crafts'/><category scheme='http://www.blogger.com/atom/ns#' term='Embroidery'/><title type='text'>Embroidery Samplers</title><content type='html'>&lt;div style="text-align: justify;"&gt;A needlework sampler is a piece of embroidery produced as a demonstration or test of skill in needlework. Samplers often include the alphabet, figures, motifs, decorative borders and sometimes the name of the person who embroidered them and the date. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The oldest surviving samplers were constructed in the 15th and 16th centuries. As there were no pre-printed patterns available for needleworkers, a stitched model was needed. Whenever a needlewoman saw a new example of a stitching pattern, she would quickly sew a small sample of it onto a piece of cloth - her 'sampler'. The patterns were sewn randomly onto the fabric as a reference for future use, and the woman would collect extra stitches and patterns throughout her lifetime.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A sumptuous &lt;a href="http://www.metmuseum.org/toah/hi/hi_need.htm"&gt;collection of samplers&lt;/a&gt; can be found on the website of the Metropolitan Museum of Art, the under the &lt;a href="http://www.metmuseum.org/toah/"&gt;Heilbrunn Timeline of Art History&lt;/a&gt; (a treasure trove, by the way!). &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;I am linking 3 of them to here: Rebekah White's sampler which is constructed out of silk on linen, ca. 1753 in Salem, Massachusetts (top); Mary Munro's sampler is also embroidered with silk onto linen, ca. 1785 at Miss Balch's School, Providence, Rhode Island (middle); and &lt;i&gt;"The Tree of Life"&lt;/i&gt; sampler is from the first half of the 17th century, from England and is embroidered upon canvas with silk thread (bottom). (&lt;a href="http://www.metmuseum.org/toah/hi/hi_need.htm"&gt;Please check out the page itself&lt;/a&gt; though, many more beauties to be seen).&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.metmuseum.org/toah/images/h2/h2_1984.331.8.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="474" src="http://www.metmuseum.org/toah/images/h2/h2_1984.331.8.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.metmuseum.org/toah/images/hb/hb_1984.331.14.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="584" src="http://www.metmuseum.org/toah/images/hb/hb_1984.331.14.jpg" width="450" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.metmuseum.org/toah/images/h2/h2_64.101.1305.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="470" src="http://www.metmuseum.org/toah/images/h2/h2_64.101.1305.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7785409454587746544?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7785409454587746544/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/embroidery-samplers.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7785409454587746544'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7785409454587746544'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/embroidery-samplers.html' title='Embroidery Samplers'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-5373026151887839860</id><published>2011-02-02T12:12:00.007+02:00</published><updated>2011-04-11T11:40:29.474+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Visual Complexity'/><category scheme='http://www.blogger.com/atom/ns#' term='Computer'/><category scheme='http://www.blogger.com/atom/ns#' term='Data Visualization'/><category scheme='http://www.blogger.com/atom/ns#' term='Visualization'/><category scheme='http://www.blogger.com/atom/ns#' term='21st Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Info-Viz'/><title type='text'>Visual Complexity</title><content type='html'>&lt;div style="text-align: justify;"&gt;Rigorously curated by its founder &lt;a href="http://www.mslima.com/news/"&gt;Manuel Lima&lt;/a&gt;, the Visual Complexity portal shows the very best output of a new hybrid profession between graphic design and computer science - &lt;a href="http://en.wikipedia.org/wiki/Data_visualization"&gt;Data Visualization&lt;/a&gt;:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;a href="http://www.visualcomplexity.com/vc/"&gt;http://www.visualcomplexity.com/vc/&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_7nBdDZYO-RM/TUkrayja9uI/AAAAAAAAAHM/GbxU1I3aHh0/s1600/vc.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="390" src="http://1.bp.blogspot.com/_7nBdDZYO-RM/TUkrayja9uI/AAAAAAAAAHM/GbxU1I3aHh0/s800/vc.jpg" width="486" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-5373026151887839860?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/5373026151887839860/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/visual-complexity.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5373026151887839860'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5373026151887839860'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/visual-complexity.html' title='Visual Complexity'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_7nBdDZYO-RM/TUkrayja9uI/AAAAAAAAAHM/GbxU1I3aHh0/s72-c/vc.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3025043114161359558</id><published>2011-02-01T21:33:00.010+02:00</published><updated>2011-04-12T22:50:08.296+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Map'/><category scheme='http://www.blogger.com/atom/ns#' term='16th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Cartography'/><category scheme='http://www.blogger.com/atom/ns#' term='Atlas'/><title type='text'>Abraham Ortelius: "Theatrum Orbis Terrarum"</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="http://memory.loc.gov/ammem/gmdhtml/gnrlort.html"&gt;Theatrum Orbis Terrarum (Theatre of the World)&lt;/a&gt; is considered to be the first true modern atlas. Written by &lt;a href="http://www.fact-index.com/a/ab/abraham_ortelius.html"&gt;Abraham Ortelius&lt;/a&gt; and printed in Antwerp (1570), it consisted of a collection of maps and text, all of it bound together to form a book. Many of his maps were based upon sources that no longer exist or are extremely rare. After the initial release of Theatrum Orbis Terrarum, Ortelius regularly revised and expanded the atlas until his death in 1598.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Although there are a lot of images scattered online, a comprehensive collection of the maps can be found on &lt;a href="http://commons.wikimedia.org/wiki/Theatrum_Orbis_Terrarum"&gt;wikimedia commons&lt;/a&gt;:&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/thumb/e/e2/OrteliusWorldMap1570.jpg/800px-OrteliusWorldMap1570.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="330" src="http://upload.wikimedia.org/wikipedia/commons/thumb/e/e2/OrteliusWorldMap1570.jpg/800px-OrteliusWorldMap1570.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/thumb/9/9f/NorthEastAmericaOrtelius1570.jpg/800px-NorthEastAmericaOrtelius1570.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="330" src="http://upload.wikimedia.org/wikipedia/commons/thumb/9/9f/NorthEastAmericaOrtelius1570.jpg/800px-NorthEastAmericaOrtelius1570.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/thumb/5/53/Ortelius_Belgii_Veteris_%281594%29.jpg/756px-Ortelius_Belgii_Veteris_%281594%29.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="390" src="http://upload.wikimedia.org/wikipedia/commons/thumb/5/53/Ortelius_Belgii_Veteris_%281594%29.jpg/756px-Ortelius_Belgii_Veteris_%281594%29.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3025043114161359558?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3025043114161359558/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/abraham-ortelius-theatrum-orbis.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3025043114161359558'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3025043114161359558'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/abraham-ortelius-theatrum-orbis.html' title='Abraham Ortelius: &quot;Theatrum Orbis Terrarum&quot;'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7948414534025063671</id><published>2011-02-01T20:43:00.011+02:00</published><updated>2011-04-11T11:41:01.284+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Blogs'/><category scheme='http://www.blogger.com/atom/ns#' term='Flickr'/><category scheme='http://www.blogger.com/atom/ns#' term='Curio'/><category scheme='http://www.blogger.com/atom/ns#' term='Collection'/><title type='text'>A stunning blog: BibliOdyssey</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="http://bibliodyssey.blogspot.com/"&gt;http://bibliodyssey.blogspot.com/&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;To read from its header this is a blog on &lt;i&gt;"books, illustrations, history, science, Visual Materia Obscura and eclectic book art"&lt;/i&gt;. And is it ever! I have been looking and looking since I found it. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.flickr.com/photos/bibliodyssey/"&gt;The blog takes its visual feed from a huge Flickr stream&lt;/a&gt;, of many many sets full of good sized images, covering all cultures and historic periods, with an emphasis on what can probably be called "curio"s of print. All of this is maintained by a gentleman from Sydney, who goes by the short name of &lt;a href="http://www.flickr.com/people/bibliodyssey/"&gt;Paul K&lt;/a&gt;. A generous person since his material has a creative commons license attached to it, which only asks that you attribute back to him!&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;I am linking only one image to here. It is a matter of either one or of hundreds, you see! So, you really have to go and check this out for yourselves! This one image is one of the covers of a series books entitled &lt;i&gt;"The Eight Dog Chronicles"&lt;/i&gt; by Kyokutei Bakin (1767-1848).&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm5.static.flickr.com/4153/5395554735_96f2848165.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="355" src="http://farm5.static.flickr.com/4153/5395554735_96f2848165.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7948414534025063671?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7948414534025063671/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/stunning-blog-bibliodyssey.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7948414534025063671'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7948414534025063671'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/stunning-blog-bibliodyssey.html' title='A stunning blog: BibliOdyssey'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm5.static.flickr.com/4153/5395554735_96f2848165_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-1110719590390292675</id><published>2011-02-01T20:20:00.012+02:00</published><updated>2011-06-22T15:28:57.251+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Iran'/><category scheme='http://www.blogger.com/atom/ns#' term='Collection'/><category scheme='http://www.blogger.com/atom/ns#' term='Islamic'/><category scheme='http://www.blogger.com/atom/ns#' term='Illuminated Manuscript'/><category scheme='http://www.blogger.com/atom/ns#' term='Miniature'/><title type='text'>Iranian/Persian Miniatures</title><content type='html'>&lt;div style="text-align: justify;"&gt;I cannot get over the hierarchical structure in &lt;a href="http://en.wikipedia.org/wiki/Persian_miniature"&gt;Persian miniatures&lt;/a&gt; where (in the absence of perspective) this effect is achieved solely through visual separators such as boxes and rules; often intricately placed inside each other or in overlapping layers - creating complex but very easy to navigate informational systems. And especially the way in which text and image is brought together... Of course, the same principles apply to all Islamic miniatures, including the Turkish ones. But putting all national possessiveness aside, I know that Persian Miniatures are the very cream of the crop!&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;I want to share a couple of links where I have seen some really good ones: &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The first place is the &lt;a href="http://shogungallery.com/index.php"&gt;Shogun Gallery&lt;/a&gt; (which incidentally is also great for Japanese Art). They will let you see a really nice big sized image, which is of course great! The following image is from their &lt;a href="http://shogungallery.com/index.php?cPath=22_39_181"&gt;Persian Hall of Genre&lt;/a&gt; collection:&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://shogungallery.com/images/products/pg1367.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="800" src="http://shogungallery.com/images/products/pg1367.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Second link is actually the category page on wikimedia commons for the &lt;a href="http://commons.wikimedia.org/wiki/Category:Persian_miniatures_in_the_Brooklyn_Museum"&gt;Brooklyn Museum Collection&lt;/a&gt;, which is absolutely outstanding, and that is where the following two images come from:&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Brooklyn_Museum_-_Rustam_Lassoes_the_Khagan_of_China_Folio_from_a_Manuscript_of_the_Shah-Nama_of_Firdausi.jpg/356px-Brooklyn_Museum_-_Rustam_Lassoes_the_Khagan_of_China_Folio_from_a_Manuscript_of_the_Shah-Nama_of_Firdausi.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="600" src="http://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Brooklyn_Museum_-_Rustam_Lassoes_the_Khagan_of_China_Folio_from_a_Manuscript_of_the_Shah-Nama_of_Firdausi.jpg/356px-Brooklyn_Museum_-_Rustam_Lassoes_the_Khagan_of_China_Folio_from_a_Manuscript_of_the_Shah-Nama_of_Firdausi.jpg" width="356" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/thumb/8/89/Brooklyn_Museum_-_Manuscript_of_the_Hadiqat_al-Su%60ada_%28Garden_of_the_Blessed%29_of_Fuzuli_-_Muhammad_bin_Sulayman_known_as_Fuzuli.jpg/360px-Brooklyn_Museum_-_Manuscript_of_the_Hadiqat_al-Su%60ada_%28Garden_of_the_Blessed%29_of_Fuzuli_-_Muhammad_bin_Sulayman_known_as_Fuzuli.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="600" src="http://upload.wikimedia.org/wikipedia/commons/thumb/8/89/Brooklyn_Museum_-_Manuscript_of_the_Hadiqat_al-Su%60ada_%28Garden_of_the_Blessed%29_of_Fuzuli_-_Muhammad_bin_Sulayman_known_as_Fuzuli.jpg/360px-Brooklyn_Museum_-_Manuscript_of_the_Hadiqat_al-Su%60ada_%28Garden_of_the_Blessed%29_of_Fuzuli_-_Muhammad_bin_Sulayman_known_as_Fuzuli.jpg" width="360" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-1110719590390292675?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/1110719590390292675/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/persian-miniatures.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1110719590390292675'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1110719590390292675'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/persian-miniatures.html' title='Iranian/Persian Miniatures'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7488597306241316786</id><published>2011-02-01T18:32:00.004+02:00</published><updated>2011-04-11T11:41:28.667+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Postmodernism'/><category scheme='http://www.blogger.com/atom/ns#' term='Curio'/><category scheme='http://www.blogger.com/atom/ns#' term='21st Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Typography'/><title type='text'>The Periodic Table of Typefaces</title><content type='html'>&lt;div style="text-align: justify;"&gt;This is a great project developed by &lt;a href="http://www.behance.net/squidcam"&gt;Cam Wilde&lt;/a&gt; at &lt;a href="http://www.squidspot.com/"&gt;squidspot.com&lt;/a&gt;. You can purchase prints and other memorabilia, such as vinyl decals or even a moleskine notebook cover, at &lt;a href="http://www.squidspot.com/Periodic_Table_of_Typefaces.html"&gt;a page dedicated to the table&lt;/a&gt;.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Cam Wilde tells us that &lt;i&gt;"the Periodic Table of Typefaces is obviously in the style of all the thousands of over-sized Periodic Table of Elements posters hanging in schools and homes around the world. This particular table lists 100 of the most popular, influential and notorious typefaces today"&lt;/i&gt;, based upon the download/sales data of some very well known type foundries.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Here is the full table:&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://behance.vo.llnwd.net/profiles/50666/projects/193759/506661236547081.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="350" src="http://behance.vo.llnwd.net/profiles/50666/projects/193759/506661236547081.png" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;And a detail shot:&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://behance.vo.llnwd.net/profiles/50666/projects/193759/506661236625439.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="350" src="http://behance.vo.llnwd.net/profiles/50666/projects/193759/506661236625439.png" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7488597306241316786?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7488597306241316786/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/periodic-table-of-typefaces.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7488597306241316786'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7488597306241316786'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/periodic-table-of-typefaces.html' title='The Periodic Table of Typefaces'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7137384301855613954</id><published>2011-02-01T16:00:00.014+02:00</published><updated>2011-04-11T11:41:41.459+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Computer'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Steampunk'/><category scheme='http://www.blogger.com/atom/ns#' term='Postmodernism'/><category scheme='http://www.blogger.com/atom/ns#' term='Curio'/><category scheme='http://www.blogger.com/atom/ns#' term='21st Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Victoriana'/><category scheme='http://www.blogger.com/atom/ns#' term='Typography'/><category scheme='http://www.blogger.com/atom/ns#' term='Industrial Revolution'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>Steampunk Typography</title><content type='html'>&lt;div style="text-align: justify;"&gt;One problem when writing a post on Steampunk is how to label it correctly: Does one use the label "19th Century" or "21st Century" or both? Again, would this genre go under "Victoriana" or "Computer"? &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;It seems to me that all of the above would have to apply: Although &lt;a href="http://en.wikipedia.org/wiki/Steampunk"&gt;Steampunk&lt;/a&gt;, as an art and design movement is contemporary and is also often computer based through its wide usage in game design, the inspiration comes from the era of steam, the 19th Century. I will probably post more on Steampunk (which I find highly relevant/successful as an intrinsically &lt;a href="http://www2.iath.virginia.edu/elab/hfl0242.html"&gt;postmodernist&lt;/a&gt; approach to design) in the future. For now, I want to stick to Steampunk typography: &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.behance.net/alexbeltechi"&gt;Alex Beldechi&lt;/a&gt;'s three dimensional, Steampunk referenced typographic work (top) should be seen in its entirety, &lt;a href="http://www.behance.net/gallery/Steampunk-Typography/306497"&gt;at this link&lt;/a&gt; on Behance. &lt;a href="http://www.johncoulthart.com/pantechnicon/pantechnicon.html"&gt;John Coulthart&lt;/a&gt;'s Steampunk typographic t-shirts (middle and lower middle) can be purchased at &lt;a href="http://www.cafepress.com/theesteampunk"&gt;CafePress&lt;/a&gt;. And finally I have also found a whimsical typographical collage by &lt;a href="http://aharmon.deviantart.com/"&gt;Anthony Harmon&lt;/a&gt; (bottom), which he apparently was not altogether happy with but still kept uploaded at deviantart - thank God! :-)&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://behance.vo.llnwd.net/profiles/80164/projects/306497/801641253037085.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="550" src="http://behance.vo.llnwd.net/profiles/80164/projects/306497/801641253037085.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.johncoulthart.com/feuilleton/wp-content/uploads/2009/12/steampunk1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="356" src="http://www.johncoulthart.com/feuilleton/wp-content/uploads/2009/12/steampunk1.jpg" width="454" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.johncoulthart.com/feuilleton/wp-content/uploads/2009/12/steampunk2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="331" src="http://www.johncoulthart.com/feuilleton/wp-content/uploads/2009/12/steampunk2.jpg" width="453" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://fc02.deviantart.net/fs70/f/2010/074/b/7/Steampunk_Typography_by_aharmon.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://fc02.deviantart.net/fs70/f/2010/074/b/7/Steampunk_Typography_by_aharmon.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7137384301855613954?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7137384301855613954/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/glorious-steampunk.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7137384301855613954'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7137384301855613954'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/glorious-steampunk.html' title='Steampunk Typography'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7384053460350002805</id><published>2011-02-01T13:21:00.007+02:00</published><updated>2011-04-11T11:41:52.607+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Advertising'/><category scheme='http://www.blogger.com/atom/ns#' term='Modernism'/><category scheme='http://www.blogger.com/atom/ns#' term='Fortune Magazine'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Kepes'/><category scheme='http://www.blogger.com/atom/ns#' term='Herbert Bayer'/><category scheme='http://www.blogger.com/atom/ns#' term='Cassandre'/><title type='text'>CCA Advertisements for Fortune Magazine</title><content type='html'>&lt;div style="text-align: justify;"&gt;Throughout the 1930's and 1940's the Container Corporation of America ran a series of mostly black and white advertisements in Fortune Magazine. Designed by the likes of Cassandre, Kepes and Herbert Bayer, these ads are nothing less than landmarks of modernist design. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Of the images below, the upper advert is either by Herbert Bayer or Kepes; in the upper middle we have one by Herbert Bayer; the lower middle is by Cassandre; and finally at the bottom we have a beauty which is anonymous due to an unclear signature. Please go to &lt;a href="http://www.rare-posters.com/container.html"&gt;Rare Posters to view the collection which they carry&lt;/a&gt;.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.rare-posters.com/p1382.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="500" src="http://www.rare-posters.com/p1382.jpg" width="395" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.rare-posters.com/p594.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="500" src="http://www.rare-posters.com/p594.jpg" width="379" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.rare-posters.com/p1381.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="500" src="http://www.rare-posters.com/p1381.jpg" width="388" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.rare-posters.com/p1379.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="500" src="http://www.rare-posters.com/p1379.jpg" width="387" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7384053460350002805?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7384053460350002805/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/cca-advertisements-for-fortune-magazine.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7384053460350002805'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7384053460350002805'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/cca-advertisements-for-fortune-magazine.html' title='CCA Advertisements for Fortune Magazine'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-21382475875089618</id><published>2011-02-01T12:56:00.002+02:00</published><updated>2011-04-11T11:42:14.075+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art Nouveau'/><category scheme='http://www.blogger.com/atom/ns#' term='Alphonse Mucha'/><category scheme='http://www.blogger.com/atom/ns#' term='Ephemera'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>When Mucha sends you a postcard...</title><content type='html'>&lt;div style="text-align: justify;"&gt;I live in dread of the &lt;a href="http://www.cartamania.it/"&gt;Cartamania&lt;/a&gt; site going out of existence one day since it has not been updated in over 2 years now. This is one of the greatest places that I have come across for things such as postcards from the 19th century, as well as all kinds of other wonderful paper based curiosities. So far, so good...&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;One of the nicest collections on &lt;a href="http://www.cartamania.it/"&gt;Cartamania&lt;/a&gt; is a set of postcards designed by &lt;a href="http://mucha.tyden.cz/index.phtml?S=biog&amp;amp;Lang=EN"&gt;Alphonse Mucha&lt;/a&gt;. Below are two of them. To see many more, please go to the site and click on the link provided for them on the home page.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.cartamania.it/astevarie/postcards/mucha/mucha13.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://www.cartamania.it/astevarie/postcards/mucha/mucha13.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.cartamania.it/astevarie/postcards/mucha/mucha2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://www.cartamania.it/astevarie/postcards/mucha/mucha2.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-21382475875089618?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/21382475875089618/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/mucha-sends-you-postcard.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/21382475875089618'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/21382475875089618'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/mucha-sends-you-postcard.html' title='When Mucha sends you a postcard...'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3735408077543252421</id><published>2011-02-01T12:36:00.002+02:00</published><updated>2011-04-11T11:42:25.359+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Antiquity'/><category scheme='http://www.blogger.com/atom/ns#' term='Cuneiform'/><category scheme='http://www.blogger.com/atom/ns#' term='Ideogram'/><category scheme='http://www.blogger.com/atom/ns#' term='Mesopotamia'/><title type='text'>A brainchild of Sumerian Bureaucracy</title><content type='html'>&lt;div style="text-align: justify;"&gt;That is what &lt;a href="http://www.buzzle.com/articles/the-cylinder-seal-as-the-brainchild-of-sumerian-bureaucracy.html"&gt;this well written article on Sumerian writing and seals&lt;/a&gt; calls these wonderful objects, engraved with a picture story and accompanying text written with &lt;a href="http://en.wikipedia.org/wiki/Cuneiform_script"&gt;cuneiform&lt;/a&gt;. Their function was to roll an impression onto a two-dimensional surface, generally wet clay. Cylinder seals were invented around 3500 BC in Mesopotamia. They were used as administrative tools, as jewelery/magical amulets and also to notarize or attest to multiple impressions of clay documents.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;One of the best image repositories for cylinder seals is on &lt;a href="http://commons.wikimedia.org/wiki/Category:Cylinder_seals"&gt;wikimedia commons&lt;/a&gt; and another very nice collection can be seen on the page of the &lt;a href="http://www.schoyencollection.com/seals.htm"&gt;Schoyen Collection&lt;/a&gt;.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The image below shows a number of cylinder seals from the collection of the Papiermuseum in Basel, Switzerland.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/thumb/1/17/Papiermuseum_Basel_2008_%284%29.jpg/800px-Papiermuseum_Basel_2008_%284%29.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="350" src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/17/Papiermuseum_Basel_2008_%284%29.jpg/800px-Papiermuseum_Basel_2008_%284%29.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3735408077543252421?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3735408077543252421/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/brainchild-of-sumerian-bureaucracy.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3735408077543252421'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3735408077543252421'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/brainchild-of-sumerian-bureaucracy.html' title='A brainchild of Sumerian Bureaucracy'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-6699567885719653073</id><published>2011-02-01T04:27:00.010+02:00</published><updated>2011-04-11T11:42:44.419+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Letterform'/><category scheme='http://www.blogger.com/atom/ns#' term='16th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Alphabet'/><category scheme='http://www.blogger.com/atom/ns#' term='Geometry'/><category scheme='http://www.blogger.com/atom/ns#' term='Geofroy Tory'/><category scheme='http://www.blogger.com/atom/ns#' term='Champs Fleury'/><category scheme='http://www.blogger.com/atom/ns#' term='Typography'/><title type='text'>Champs Fleury</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.infoplease.com/ce6/people/A0849123.html"&gt;Geofroy Tory&lt;/a&gt; (1480-1533), was one of a number of typographic masters who, in the late fifteenth and early sixteenth centuries invented the capital letter as we know it today. Thus, Tory created a link between the Italian printers of the fifteenth century, who first revived the antique Roman letterforms, with the work of those who adapted those designs as typefaces for letterpress printing in subsequent centuries. He had a substantial influence on this entire process with his book &lt;a href="http://www.highbeam.com/doc/1G1-206688479.html"&gt;Champs Fleury&lt;/a&gt; (1529) in which he asserts that divine perfection is to be found in the proportional affinities between letterforms and the human body and face.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://pictopia.com/perl/get_image?provider_id=200&amp;amp;size=550x550_mb&amp;amp;ptp_photo_id=90378" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="365" src="http://pictopia.com/perl/get_image?provider_id=200&amp;amp;size=550x550_mb&amp;amp;ptp_photo_id=90378" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://24.media.tumblr.com/tumblr_kq9vpmHdRu1qz50bko1_400.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="318" src="http://24.media.tumblr.com/tumblr_kq9vpmHdRu1qz50bko1_400.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://home.scarlet.be/%7Etsd17276/grafisch/schatvanletter/illustraties/lettertory.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="259" src="http://home.scarlet.be/%7Etsd17276/grafisch/schatvanletter/illustraties/lettertory.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-6699567885719653073?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/6699567885719653073/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/champs-fleury.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6699567885719653073'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6699567885719653073'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/champs-fleury.html' title='Champs Fleury'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-1583023417372486890</id><published>2011-02-01T03:50:00.009+02:00</published><updated>2011-04-11T11:42:58.551+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art Nouveau'/><category scheme='http://www.blogger.com/atom/ns#' term='Margaret MacDonald'/><category scheme='http://www.blogger.com/atom/ns#' term='Arts and Crafts'/><category scheme='http://www.blogger.com/atom/ns#' term='Glasgow School'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Charles Rennie Mackintosh'/><title type='text'>Margaret MacDonald</title><content type='html'>&lt;div style="text-align: justify;"&gt;Her husband, architect Charles Rennie Mackintosh, by whose fame she was overshadowed throughout her career, said about her &lt;i&gt;"Margaret has genius, I have only talent."&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;A biography of the artist (1865 - 1933) can be read here:&lt;br /&gt;&lt;a href="http://www.crmsociety.com/margaretmacdonald.aspx"&gt;http://www.crmsociety.com/margaretmacdonald.aspx&lt;/a&gt;.&lt;br /&gt;And a collection of her work, a lot of it unpublished in her own lifetime, can be seen at the &lt;a href="http://www.huntsearch.gla.ac.uk/cgi-bin/foxweb/huntsearch_Mackintosh/summaryresults.fwx?searchterm=manufac+has+margaret+macdonald&amp;amp;browseMode=on&amp;amp;browseSet=Margaret+Macdonald"&gt;Mackintosh online guide of the Hunterian Art Gallery&lt;/a&gt;. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The images below are a sketch for the &lt;i&gt;"Vanity handkerchief"&lt;/i&gt; from circa 1898 (top); and two pages from &lt;i&gt;"The Christmas Story"&lt;/i&gt; circa 1895-6 (middle and bottom).&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.huntsearch.gla.ac.uk/artimages/crm/41468.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="512" src="http://www.huntsearch.gla.ac.uk/artimages/crm/41468.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.huntsearch.gla.ac.uk/artimages/crm/52863.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="650" src="http://www.huntsearch.gla.ac.uk/artimages/crm/52863.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.huntsearch.gla.ac.uk/artimages/crm/52860.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="760" src="http://www.huntsearch.gla.ac.uk/artimages/crm/52860.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;...................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-1583023417372486890?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/1583023417372486890/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/margaret-macdonald.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1583023417372486890'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1583023417372486890'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/margaret-macdonald.html' title='Margaret MacDonald'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-909559270507242814</id><published>2011-02-01T03:20:00.009+02:00</published><updated>2011-04-11T11:48:12.263+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Antiquity'/><category scheme='http://www.blogger.com/atom/ns#' term='Crafts'/><category scheme='http://www.blogger.com/atom/ns#' term='Greece'/><category scheme='http://www.blogger.com/atom/ns#' term='Pottery'/><category scheme='http://www.blogger.com/atom/ns#' term='Objects'/><title type='text'>Antique Greece: Black Figure Pottery</title><content type='html'>&lt;div style="text-align: justify;"&gt;One of the best resources for finding out about these beauties is also the most obvious: &lt;a href="http://en.wikipedia.org/wiki/Black-figure"&gt;Wikipedia&lt;/a&gt;. However &lt;a href="http://www.metmuseum.org/toah/hd/vase/hd_vase.htm"&gt;the page on the Metropolitan Museum of Arts website&lt;/a&gt; is good also, as is the page at &lt;a href="http://humanitieslab.stanford.edu/113/658"&gt;Stanford University&lt;/a&gt;. Again, &lt;a href="http://commons.wikimedia.org/wiki/Category:Black-figure_pottery"&gt;wikimedia commons&lt;/a&gt; probably has the nicest collection of images, separated into historic categories.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Amongst the many reasons that these artifacts are very appealing to graphic designers is the usage of typography in them. While some of this text actually conveys meaning, working very much like speech bubbles do in contemporary comics; other text is used for purely decorative reasons - which is where the term "greeking" in graphic design actually stems from.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/thumb/d/d8/Arkesilas_Cup_Cdm_Paris_DeRidder189_n2.jpg/800px-Arkesilas_Cup_Cdm_Paris_DeRidder189_n2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="280" src="http://upload.wikimedia.org/wikipedia/commons/thumb/d/d8/Arkesilas_Cup_Cdm_Paris_DeRidder189_n2.jpg/800px-Arkesilas_Cup_Cdm_Paris_DeRidder189_n2.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/thumb/1/11/Athena_aigis_Cdm_Paris_254.jpg/600px-Athena_aigis_Cdm_Paris_254.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="510" src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/11/Athena_aigis_Cdm_Paris_254.jpg/600px-Athena_aigis_Cdm_Paris_254.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/d/dd/Sophilos_me_grafsen.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="362" src="http://upload.wikimedia.org/wikipedia/commons/d/dd/Sophilos_me_grafsen.jpg" width="238" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-909559270507242814?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/909559270507242814/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/antique-greece-black-figure-pottery.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/909559270507242814'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/909559270507242814'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/antique-greece-black-figure-pottery.html' title='Antique Greece: Black Figure Pottery'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-8658528808608501136</id><published>2011-02-01T02:50:00.010+02:00</published><updated>2011-04-11T11:48:23.888+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Textile'/><category scheme='http://www.blogger.com/atom/ns#' term='Tapestry'/><category scheme='http://www.blogger.com/atom/ns#' term='11th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Embroidery'/><category scheme='http://www.blogger.com/atom/ns#' term='Medieval'/><title type='text'>The Bayeux Tapestry</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.bayeuxtapestry.org.uk/"&gt;The Bayeux Tapestry&lt;/a&gt; is an embroidered strip of linen, telling the story of the events that led up to the Battle of Hastings and the Norman Conquest of England in 1066. Although the 70 meter long (50 cm high) cloth is termed as a tapestry, from a technological viewpoint this is not strictly true since the Bayeux tapestry is not woven but embroidered. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Throughout the ages the cloth has remained an extraordinary example on how type and image can be integrated to become one fluid whole, and this using a highly unconventional format (more or less a ribbon?) at that.&lt;br /&gt;&lt;br /&gt;The entire length of fabric, separated into 35 parts for ease of viewing can be seen at &lt;a href="http://hastings1066.com/baythumb.shtml"&gt;http://hastings1066.com/baythumb.shtml&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.medievalarchives.com/wp-content/uploads/2010/08/Bayeuxtapestry.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="222" src="http://www.medievalarchives.com/wp-content/uploads/2010/08/Bayeuxtapestry.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/thumb/2/2f/Tapisserie_motte_dinan.jpg/800px-Tapisserie_motte_dinan.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="340" src="http://upload.wikimedia.org/wikipedia/commons/thumb/2/2f/Tapisserie_motte_dinan.jpg/800px-Tapisserie_motte_dinan.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://upload.wikimedia.org/wikipedia/commons/thumb/d/d2/Bayeaux_crane.jpg/800px-Bayeaux_crane.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="250" src="http://upload.wikimedia.org/wikipedia/commons/thumb/d/d2/Bayeaux_crane.jpg/800px-Bayeaux_crane.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-8658528808608501136?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/8658528808608501136/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/bayeux-tapestry.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/8658528808608501136'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/8658528808608501136'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/02/bayeux-tapestry.html' title='The Bayeux Tapestry'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-5401043668278958406</id><published>2011-01-31T23:33:00.005+02:00</published><updated>2011-04-11T11:48:41.962+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Modernism'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Flickr'/><category scheme='http://www.blogger.com/atom/ns#' term='Collection'/><category scheme='http://www.blogger.com/atom/ns#' term='Bauhaus'/><category scheme='http://www.blogger.com/atom/ns#' term='Herbert Bayer'/><title type='text'>Alki1's collection of 20th Century Graphic Design</title><content type='html'>&lt;div style="text-align: justify;"&gt;This is one of the best image repositories for 20th century graphic design (especially the early stuff, such as Bauhaus) that I have ever come across:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.flickr.com/photos/20745656@N00/tags/historygraphicdesign/"&gt;http://www.flickr.com/photos/20745656@N00/tags/historygraphicdesign/&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.artellenmcfadden.com/Site/Welcome.html"&gt;Alki1&lt;/a&gt; (Maryellen McFadden), from Portland Oregon describes herself as a &lt;i&gt;"Child of the Great Depression, member of the Greatest Generation, retired graphic designer, college faculty, vocational instructor, cooperative education placement person, lover of photography and Washington State Parks, eighty two years old." &lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;And long may she prosper! Thank you &lt;a href="http://www.artellenmcfadden.com/Site/Blog/Blog.html"&gt;Alki1&lt;/a&gt;, for this invaluable resource!&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;I am linking two images to show how absolutely brilliant this collection is: Above is a magazine cover which Alki1 thinks was designed by Herbert Bayer in 1929 (wow! - how often does one come across something like this?); and below is a Renå Binder and Max Eichheim poster for the International Press Exhibition Pressa, held in Cologne, Germany in 1928.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm2.static.flickr.com/1381/1298661175_1c8797d71b_o.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="637" src="http://farm2.static.flickr.com/1381/1298661175_1c8797d71b_o.png" width="452" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm2.static.flickr.com/1421/1062091569_e94f9e7a40_o.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="605" src="http://farm2.static.flickr.com/1421/1062091569_e94f9e7a40_o.png" width="423" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-5401043668278958406?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/5401043668278958406/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/alki1s-collection-of-20th-century.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5401043668278958406'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5401043668278958406'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/alki1s-collection-of-20th-century.html' title='Alki1&apos;s collection of 20th Century Graphic Design'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7795786516133395541</id><published>2011-01-31T23:05:00.008+02:00</published><updated>2011-04-11T11:49:01.072+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Prints'/><category scheme='http://www.blogger.com/atom/ns#' term='Hiroshige'/><category scheme='http://www.blogger.com/atom/ns#' term='Japan'/><category scheme='http://www.blogger.com/atom/ns#' term='Oriental'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>Hiroshige</title><content type='html'>&lt;div style="text-align: justify;"&gt;Not only is Ando Hiroshige a hugely important artist in his own right, but he is also to be reckoned with in terms of the influence that he and his fellow Japanese woodblock printers exerted over late 19th Century Western art &amp;amp; design: Hiroshige combines ideograms and imagery in his prints, often through a usage of boxes and rules as hierarchical aids. And it is this mastery over typographic hierarchies combined with complex imagery that was so ingeniously adapted to Western typographic systems by the likes of Alphonse Mucha, creating the typographic style of Art Nouveau.&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;There are many resources showing Hiroshige's output online, but sometimes &lt;a href="http://en.wikipedia.org/wiki/Hiroshige"&gt;the most obvious place to look can also turn out to be the best one&lt;/a&gt; ;-). Although the images on wikipedia are much larger than what can be found there, nonetheless the richest image repository that I have come across has been put together in England and can be accessed from here:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.hiroshige.org.uk/hiroshige/main/main.htm"&gt;http://www.hiroshige.org.uk/hiroshige/main/main.htm &lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;I am linking the following images from the publication entitled &lt;i&gt;"Famous Restaurants of the Eastern Capital"&lt;/i&gt; (1852/53), since these provide really good examples to Hiroshige's typographic mastery. Needless to say, this is only the very tip of the huge iceberg of what Hiroshige has to offer.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.hiroshige.org.uk/hiroshige/FamousRestaurants/Images/FamousRestaurants08.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="580" src="http://www.hiroshige.org.uk/hiroshige/FamousRestaurants/Images/FamousRestaurants08.jpg" width="405" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.hiroshige.org.uk/hiroshige/FamousRestaurants/Images/FamousRestaurants32.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="580" src="http://www.hiroshige.org.uk/hiroshige/FamousRestaurants/Images/FamousRestaurants32.jpg" width="392" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7795786516133395541?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7795786516133395541/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/hiroshige.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7795786516133395541'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7795786516133395541'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/hiroshige.html' title='Hiroshige'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-1562840798784477156</id><published>2011-01-31T22:07:00.007+02:00</published><updated>2011-04-11T11:49:11.295+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='16th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Italy'/><category scheme='http://www.blogger.com/atom/ns#' term='Rare Books'/><category scheme='http://www.blogger.com/atom/ns#' term='15th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Printing'/><category scheme='http://www.blogger.com/atom/ns#' term='Renaissance'/><category scheme='http://www.blogger.com/atom/ns#' term='Aldus Manutius'/><title type='text'>In Aedibvs Aldi</title><content type='html'>&lt;a href="http://net.lib.byu.edu/aldine/"&gt;The Legacy of Aldus Manutius and his Press&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;What this site lacks in appearance it more than makes up for in content. A modest, bare bones html interface takes you through the life and times and the work of one of the greatest book designers and printers of all time. Very good textual descriptions as well as lots of plates showing the beautiful book pages created at the Aldine Press.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Images below are Constantine Lascaris' &lt;i&gt;"Erotemata"&lt;/i&gt; from 1512 (also showing the famous Aldine logo of the dolphin and the anchor) (top); Theocritus' &lt;i&gt;"Idylls"&lt;/i&gt; from 1495/96 (middle); Gregory of Nazianzus' &lt;i&gt;"Carmina"&lt;/i&gt; from 1504 (lower middle); and the binding of the &lt;i&gt;"Vulgate Bible"&lt;/i&gt; from 1592 (bottom).&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://net.lib.byu.edu/aldine/ald2tp.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="573" src="http://net.lib.byu.edu/aldine/ald2tp.jpg" width="407" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://net.lib.byu.edu/aldine/ald7lf3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="645" src="http://net.lib.byu.edu/aldine/ald7lf3.jpg" width="419" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://net.lib.byu.edu/aldine/ald9tp.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="621" src="http://net.lib.byu.edu/aldine/ald9tp.jpg" width="441" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://net.lib.byu.edu/aldine/ald53bd.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="501" src="http://net.lib.byu.edu/aldine/ald53bd.jpg" width="441" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-1562840798784477156?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/1562840798784477156/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/in-aedidibvs-aldi.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1562840798784477156'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1562840798784477156'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/in-aedidibvs-aldi.html' title='In Aedibvs Aldi'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-1031771836297559290</id><published>2011-01-31T21:42:00.005+02:00</published><updated>2011-04-11T11:49:23.531+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Neville Brody'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Postmodernism'/><category scheme='http://www.blogger.com/atom/ns#' term='England'/><category scheme='http://www.blogger.com/atom/ns#' term='Layout'/><category scheme='http://www.blogger.com/atom/ns#' term='Typography'/><category scheme='http://www.blogger.com/atom/ns#' term='Editorial Design'/><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary'/><title type='text'>Neville Brody</title><content type='html'>&lt;div style="text-align: justify;"&gt;A really good collection of Neville Brody's output put together by Peter Gabor can be found here:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.typogabor.com/neville-brody/"&gt;http://www.typogabor.com/neville-brody/&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;I am really happy to have found this, since decent sized online reproductions of Brody's work are not too easy to come across. In fact, I had a very hard time back when I was putting together the course website. So, this is really great! I am only linking one out of a huge collection of very well selected images - definitely check out the rest!&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.typogabor.com/neville-brody/images/140_NevilleBrodyWork.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://www.typogabor.com/neville-brody/images/140_NevilleBrodyWork.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-1031771836297559290?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/1031771836297559290/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/neville-brody.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1031771836297559290'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1031771836297559290'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/neville-brody.html' title='Neville Brody'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7388677761363777262</id><published>2011-01-31T20:05:00.013+02:00</published><updated>2011-04-11T11:49:34.734+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='16th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Italy'/><category scheme='http://www.blogger.com/atom/ns#' term='17th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Rare Books'/><category scheme='http://www.blogger.com/atom/ns#' term='Collection'/><category scheme='http://www.blogger.com/atom/ns#' term='Printing'/><category scheme='http://www.blogger.com/atom/ns#' term='Renaissance'/><category scheme='http://www.blogger.com/atom/ns#' term='Dante'/><title type='text'>Renaissance Dante in Print</title><content type='html'>&lt;a href="http://www.nd.edu/%7Eitalnet/dante/"&gt;http://www.nd.edu/~italnet/dante/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;This exhibition presents Renaissance editions of Dante's &lt;i&gt;Divine Comedy&lt;/i&gt; from the Dante Collection at the &lt;a href="http://www.nd.edu/%7Erarebook/"&gt; University of Notre Dame&lt;/a&gt;, together with selected treasures from &lt;a href="http://www.newberry.org/"&gt;The Newberry Library&lt;/a&gt;.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The site combines solid information and anecdotes surrounding both Dante's huge oeuvre, as well as the many tales of the printing community centered in Italy and particularly in Venice during this period. Also gives an illustrated list of all the editions of Dante's work published during the Renaissance, including one by Aldus Manutius. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The images below are from Francesco Marcolini da Forli's edition printed in 1544 in Venice (top); and Giovanni Antonio Morando's 1554 edition, again printed in Venice.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.italnet.nd.edu/Dante/images/tp1544/1544.inf1.2pg.150dpi.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="350" src="http://www.italnet.nd.edu/Dante/images/tp1544/1544.inf1.2pg.150dpi.jpeg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.italnet.nd.edu/Dante/images/tp1554/1554.inf1.2pg.150dpi.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="350" src="http://www.italnet.nd.edu/Dante/images/tp1554/1554.inf1.2pg.150dpi.jpeg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7388677761363777262?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7388677761363777262/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/renaissance-dante-in-print.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7388677761363777262'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7388677761363777262'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/renaissance-dante-in-print.html' title='Renaissance Dante in Print'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7353752709669330657</id><published>2011-01-31T19:43:00.001+02:00</published><updated>2011-04-11T11:49:48.520+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Prints'/><category scheme='http://www.blogger.com/atom/ns#' term='Collection'/><category scheme='http://www.blogger.com/atom/ns#' term='illustration'/><title type='text'>Panteek: Antique Prints</title><content type='html'>&lt;a href="http://www.panteek.com/DeKayCrustaceans/index.htm" target="_blank"&gt;&lt;img class="alignnone" style="border: 0 none; margin: 0;" title="panteek01" src="http://www.panteek.com/DeKayCrustaceans/images/dec4-112.jpg" alt="" width="480" height="364" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.panteek.com/Knoop/index.htm" target="_blank"&gt;&lt;img class="alignnone" style="border: 0 none; margin: 0;" title="panteek02" src="http://www.panteek.com/Knoop/images/knp36-153.jpg" alt="" width="480" height="640" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.panteek.com/OwenJones/main.htm" target="_blank"&gt;&lt;img class="alignnone" style="border: 0 none; margin: 0;" title="panteek03" src="http://www.panteek.com/OwenJones/images/ow4-122.jpg" alt="" width="480" height="692" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;A huge selection, everything from biological illustrations to fashion plates:&lt;br /&gt;&lt;a href="http://www.panteek.com/index.htm" target="_blank"&gt;http://www.panteek.com/index.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7353752709669330657?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7353752709669330657/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/panteek-antique-prints.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7353752709669330657'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7353752709669330657'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/panteek-antique-prints.html' title='Panteek: Antique Prints'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-2525621872705740422</id><published>2011-01-31T19:04:00.005+02:00</published><updated>2011-04-11T11:50:01.047+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='China'/><category scheme='http://www.blogger.com/atom/ns#' term='Japan'/><category scheme='http://www.blogger.com/atom/ns#' term='Oriental'/><title type='text'>Kokka, A Gallery of Chinese and Japanese Painting</title><content type='html'>&lt;div style="text-align: justify;"&gt;This site is actually the introductory site to a book published in 1908 by the Kokka Publishing Company, who published a series of at least four art reproduction books of this type during the period of 1906-1908. This was the last and most expensive book and it was priced at triple the price of the other books.  &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Images below are: &lt;i&gt;"Plum Tree"&lt;/i&gt;, by Korin Ogata (top); &lt;i&gt;"A Mountain After the Rain"&lt;/i&gt;, attributed to Kao Jan-hui (middle); &lt;i&gt;"Fish in Nature"&lt;/i&gt;, attributed to Fan Anjen (bottom).&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.baxleystamps.com/litho/ogawa/kokka_gallery_jp51-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="490" src="http://www.baxleystamps.com/litho/ogawa/kokka_gallery_jp51-1.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.baxleystamps.com/litho/ogawa/kokka_gallery_colo-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="720" src="http://www.baxleystamps.com/litho/ogawa/kokka_gallery_colo-1.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.baxleystamps.com/litho/ogawa/kokka_gallery_ch19-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="747" src="http://www.baxleystamps.com/litho/ogawa/kokka_gallery_ch19-1.jpg" width="264" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-2525621872705740422?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/2525621872705740422/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/kokka-gallery-of-chinese-and-japanese.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2525621872705740422'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/2525621872705740422'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/kokka-gallery-of-chinese-and-japanese.html' title='Kokka, A Gallery of Chinese and Japanese Painting'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3631447800292097781</id><published>2011-01-31T18:02:00.009+02:00</published><updated>2011-04-11T11:50:14.041+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Blogs'/><category scheme='http://www.blogger.com/atom/ns#' term='Teaching'/><title type='text'>My student's blogs :-)</title><content type='html'>&lt;div style="text-align: justify;"&gt;This year the main course requirement of my HVC course was keeping a blog to which at least one new post was to be added every week. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;I have to say that the strategy seems to have paid off: The final exam grades were considerably higher than they were in previous years. (I give a pretty tough exam where students are asked to identify 40 or so thumbnail images, and they are only allowed to give a maximum of 3 keywords for each). &lt;br /&gt;&lt;br /&gt;The good exam results are no wonder, since quite a few of their blogs carry remarkable content, which would have to mean that they really did become involved with the subject - as only they should, of course. After all, how can one ever hope to become a good designer without knowing the history of one's endeavor? &lt;br /&gt;&lt;br /&gt;So, without further ado, here they all are:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://va312su.wordpress.com/"&gt;http://va312su.wordpress.com/&lt;/a&gt;. &lt;br /&gt;:-)&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3631447800292097781?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3631447800292097781/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/my-students-blogs.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3631447800292097781'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3631447800292097781'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/my-students-blogs.html' title='My student&apos;s blogs :-)'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7056612680780425277</id><published>2011-01-31T14:50:00.008+02:00</published><updated>2011-04-11T11:50:27.012+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='3D'/><category scheme='http://www.blogger.com/atom/ns#' term='Computer'/><category scheme='http://www.blogger.com/atom/ns#' term='Science Fiction'/><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary'/><category scheme='http://www.blogger.com/atom/ns#' term='Game Design'/><title type='text'>Black Mesa: Game modification at its very best</title><content type='html'>&lt;div style="text-align: justify;"&gt;While the input of many fields and huge teamwork is required to create a good game, visual communication design plays a big part in this work as well. Point in case,  &lt;a href="http://www.blackmesasource.com/"&gt;Black Mesa&lt;/a&gt; is a stunning example of visuality in game design: This is a conversion based upon the award-winning first person shooter game &lt;a href="http://en.wikipedia.org/wiki/Half-Life_%28video_game%29"&gt;Half-Life&lt;/a&gt; from the late 1990's. The website, which also holds a wiki and provides many many screenshots, gives a very good overview of the whole process of designing/creating a game.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.blackmesasource.com/media/c1a0_release11_001.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="350" src="http://www.blackmesasource.com/media/c1a0_release11_001.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.blackmesasource.com/media/c1a2_release12_001.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="350" src="http://www.blackmesasource.com/media/c1a2_release12_001.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.blackmesasource.com/media/c2a3_release11_001.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="350" src="http://www.blackmesasource.com/media/c2a3_release11_001.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7056612680780425277?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7056612680780425277/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/black-mesa-game-modification-at-its.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7056612680780425277'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7056612680780425277'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/black-mesa-game-modification-at-its.html' title='Black Mesa: Game modification at its very best'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-5953832259326657311</id><published>2011-01-31T14:17:00.002+02:00</published><updated>2011-04-11T11:50:40.980+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Web Design'/><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary'/><title type='text'>Web Design History</title><content type='html'>&lt;a href="http://www.innervisions.com.au/webhistory/index.html"&gt;http://www.innervisions.com.au/webhistory/index.html&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;This is a very good overview of the various phases which web design went through over the past two decades. Please note that this is a purely textual account, providing plenty of links to other domains in which the subject is also discussed.&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-5953832259326657311?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/5953832259326657311/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/web-design-history.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5953832259326657311'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5953832259326657311'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/web-design-history.html' title='Web Design History'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7981028886529197719</id><published>2011-01-31T14:00:00.003+02:00</published><updated>2011-04-11T11:50:53.028+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Symbol'/><category scheme='http://www.blogger.com/atom/ns#' term='Icon'/><category scheme='http://www.blogger.com/atom/ns#' term='Resource'/><title type='text'>symbols.com</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.symbols.com/" target="_blank"&gt;http://www.symbols.com/&lt;/a&gt;. Online version of the famous &lt;a href="http://www.amazon.com/gp/product/9197270504"&gt;Symbols book&lt;/a&gt; by Carl Liungman. This may work even better than a book, since it lets you conduct a search based upon either graphic parameters or words, which lead you to excellent descriptions of the symbol, its usage, its context, etc. &lt;/div&gt;&lt;br /&gt;&lt;img alt="" class="alignnone size-full wp-image-348" height="668" src="http://justforbookmarks.files.wordpress.com/2011/01/biglist.gif" style="border: 0pt none; margin: 0pt;" title="biglist" width="510" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img alt="" class="alignnone size-full wp-image-349" height="336" src="http://justforbookmarks.files.wordpress.com/2011/01/explanation.gif" style="border: 0pt none; margin: 0pt;" title="explanation" width="510" /&gt;&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7981028886529197719?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7981028886529197719/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/symbolscom.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7981028886529197719'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7981028886529197719'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/symbolscom.html' title='symbols.com'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-1541655405589907749</id><published>2011-01-30T17:18:00.005+02:00</published><updated>2011-05-27T22:16:31.688+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='16th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Woodblock Printing'/><category scheme='http://www.blogger.com/atom/ns#' term='Incunabula'/><category scheme='http://www.blogger.com/atom/ns#' term='England'/><category scheme='http://www.blogger.com/atom/ns#' term='Rare Books'/><category scheme='http://www.blogger.com/atom/ns#' term='Printing'/><title type='text'>The Minerva Britanna Project</title><content type='html'>&lt;div style="text-align: justify;"&gt;Henry Peacham's Minerva Britanna was compiled by the students of the Middlebury College first-year seminar, Emblem Literature, in the Fall of 2001:&lt;/div&gt;&lt;a href="http://f01.middlebury.edu/FS010A/STUDENTS/contents.htm"&gt;http://f01.middlebury.edu/FS010A/STUDENTS/contents.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://f01.middlebury.edu/FS010A/STUDENTS/Minerva/002.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="770" src="http://f01.middlebury.edu/FS010A/STUDENTS/Minerva/002.JPG" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://f01.middlebury.edu/FS010A/STUDENTS/Minerva/009.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="770" src="http://f01.middlebury.edu/FS010A/STUDENTS/Minerva/009.JPG" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-1541655405589907749?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/1541655405589907749/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/minerva-britanna-project.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1541655405589907749'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1541655405589907749'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/minerva-britanna-project.html' title='The Minerva Britanna Project'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-6804330079446209983</id><published>2011-01-30T17:12:00.005+02:00</published><updated>2011-04-11T11:51:16.245+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='16th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Incunabula'/><category scheme='http://www.blogger.com/atom/ns#' term='William Caxton'/><category scheme='http://www.blogger.com/atom/ns#' term='England'/><category scheme='http://www.blogger.com/atom/ns#' term='Rare Books'/><category scheme='http://www.blogger.com/atom/ns#' term='15th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Printing'/><title type='text'>Printing in England from William Caxton to Christopher Barker</title><content type='html'>&lt;div style="text-align: justify;"&gt;The page of an exhibition held in England in 1977! Gives lots of information on the era. Some nice images also, but mostly text:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://special.lib.gla.ac.uk/exhibns/printing/index.html"&gt;http://special.lib.gla.ac.uk/exhibns/printing/index.html&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The images below are William Gilbert's &lt;i&gt;"De magnete"&lt;/i&gt;, printed in London by Petrus Short in 1600 (top), Galen's and &lt;i&gt;"De temperamentis, et de inaequalia intemperie"&lt;/i&gt; from 1521 (middle), and James Pilkington's &lt;i&gt;"A godlie exposition upon certaine chapters of Nehemiah"&lt;/i&gt;, printed in Cambridge by Thomas Thomas in 1585 (bottom). &lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://special.lib.gla.ac.uk/images/exhibitions/printing/Ahx15_0155w.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="780" src="http://special.lib.gla.ac.uk/images/exhibitions/printing/Ahx15_0155w.jpg" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://special.lib.gla.ac.uk/images/exhibitions/printing/Cf218_tpw.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="526" src="http://special.lib.gla.ac.uk/images/exhibitions/printing/Cf218_tpw.jpg" width="378" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://special.lib.gla.ac.uk/images/exhibitions/printing/Bo2h9_tpw.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="520" src="http://special.lib.gla.ac.uk/images/exhibitions/printing/Bo2h9_tpw.jpg" width="333" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-6804330079446209983?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/6804330079446209983/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/printing-in-england-from-william-caxton.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6804330079446209983'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6804330079446209983'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/printing-in-england-from-william-caxton.html' title='Printing in England from William Caxton to Christopher Barker'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7431851422090232961</id><published>2011-01-29T20:35:00.008+02:00</published><updated>2011-04-11T11:51:27.809+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='16th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Age of the Enlightenment'/><category scheme='http://www.blogger.com/atom/ns#' term='18th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='17th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Manuscript'/><category scheme='http://www.blogger.com/atom/ns#' term='Baroque'/><category scheme='http://www.blogger.com/atom/ns#' term='Scientific illustration'/><category scheme='http://www.blogger.com/atom/ns#' term='Renaissance'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>The Linda Hall Library of Scientific Visualization</title><content type='html'>&lt;div style="text-align: justify;"&gt;A magnificent portal housing a number of online exhibits, all revolving around Scientific visualization, covering a range of topics from Astronomy to voyages of discovery to a celebration of Darwin's theories of evolution. Not to be missed!&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.lhl.lib.mo.us/events_exhib/exhibit/exhibits/stars/welcome2.htm" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"&gt;&lt;img alt="" class="alignnone" height="307" src="http://www.lhl.lib.mo.us/events_exhib/exhibit/exhibits/stars/images/par3full.jpg" style="border: 0pt none; margin: 0pt;" title="astro" width="461" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.lhl.lib.mo.us/events_exhib/exhibit/exhibits/darwin/26_jurine.shtml" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"&gt;&lt;img alt="" class="alignnone" height="339" src="http://www.lhl.lib.mo.us/events_exhib/exhibit/exhibits/darwin/img/Jurine_cope_beaver_1820_dar03603.jpg" style="border: 0pt none; margin: 0pt;" title="darwin" width="461" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://www.lhl.lib.mo.us/events_exhib/exhibit/index.shtml" target="_blank"&gt;http://www.lhl.lib.mo.us/events_exhib/exhibit/index.shtml&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7431851422090232961?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7431851422090232961/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/linda-hall-library-of-scientific.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7431851422090232961'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7431851422090232961'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/linda-hall-library-of-scientific.html' title='The Linda Hall Library of Scientific Visualization'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-8174820307287333736</id><published>2011-01-29T20:25:00.006+02:00</published><updated>2011-04-11T11:51:39.122+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Incunabula'/><category scheme='http://www.blogger.com/atom/ns#' term='Manuscript'/><category scheme='http://www.blogger.com/atom/ns#' term='Collection'/><category scheme='http://www.blogger.com/atom/ns#' term='15th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Printing'/><category scheme='http://www.blogger.com/atom/ns#' term='Renaissance'/><title type='text'>The Wenceslaus Hollar Digital Collection</title><content type='html'>&lt;div style="text-align: justify;"&gt;Huge archive of etchings of the artist, covers a huge range from costumes to architecture to maps and title pages. The image quality of quite a few of the reproductions is not the greatest, unfortunately.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://link.library.utoronto.ca/hollar/" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"&gt;&lt;img alt="" class="alignnone" height="643" src="http://www.library.utoronto.ca/hollar/Hollar_k_2391/Hollar_k_2391_0001-1-0.jpg" style="border: 0pt none; margin: 0pt;" title="01" width="480" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://link.library.utoronto.ca/hollar/" target="_blank"&gt;http://link.library.utoronto.ca/hollar/&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://link.library.utoronto.ca/hollar/" target="_blank"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-8174820307287333736?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/8174820307287333736/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/wenceslaus-hollar-digital-collection.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/8174820307287333736'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/8174820307287333736'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/wenceslaus-hollar-digital-collection.html' title='The Wenceslaus Hollar Digital Collection'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7684489491180074598</id><published>2011-01-29T20:20:00.006+02:00</published><updated>2011-04-11T11:51:52.671+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ellen Lupton'/><category scheme='http://www.blogger.com/atom/ns#' term='Teaching'/><category scheme='http://www.blogger.com/atom/ns#' term='Typography'/><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary'/><title type='text'>Ellen Lupton: Thinking with Type</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.papress.com/thinkingwithtype/letter/letter_images/size_big.gif" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="" class="alignnone" height="500" src="http://www.papress.com/thinkingwithtype/letter/letter_images/size_big.gif" title="01" width="375" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;a href="http://www.papress.com/thinkingwithtype/index.htm" target="_blank"&gt;http://www.papress.com/thinkingwithtype/index.htm&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7684489491180074598?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7684489491180074598/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/ellen-lupton-thinking-with-type.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7684489491180074598'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7684489491180074598'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/ellen-lupton-thinking-with-type.html' title='Ellen Lupton: Thinking with Type'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-7902246062121244760</id><published>2011-01-29T20:17:00.002+02:00</published><updated>2011-04-11T11:52:04.771+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Modernism'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Paul Rand'/><category scheme='http://www.blogger.com/atom/ns#' term='John Meada'/><title type='text'>John Maeda interviews Paul Rand</title><content type='html'>&lt;a href="http://acg.media.mit.edu/events/rand/ideamag.html" target="_blank"&gt;http://acg.media.mit.edu/events/rand/ideamag.html&lt;/a&gt;. The title of this post is more than self-explanatory methinks...&lt;br /&gt;;-)&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-7902246062121244760?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/7902246062121244760/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/john-maeda-interviews-paul-rand.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7902246062121244760'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/7902246062121244760'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/john-maeda-interviews-paul-rand.html' title='John Maeda interviews Paul Rand'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-156883110533186923</id><published>2011-01-29T20:06:00.012+02:00</published><updated>2011-04-11T11:52:20.747+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Blogs'/><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary'/><category scheme='http://www.blogger.com/atom/ns#' term='Ephemera'/><category scheme='http://www.blogger.com/atom/ns#' term='Art and Technology'/><title type='text'>The Bioephemera Blog</title><content type='html'>&lt;div style="text-align: justify;"&gt;Arguably, the &lt;a href="http://scienceblogs.com/bioephemera/"&gt;Bioephemera blog&lt;/a&gt; may have nothing to do with the history of visual communication design. I beg to differ: Unless we think of visual communication as a process solely founded in typography (which I most certainly do not! ;-), then the contents of this extraordinary blog which brings together the output of two fields - art &amp;amp; design and biology - is more than relevant. Point in case:&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://scienceblogs.com/bioephemera/2011/01/12/octochair3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="335" src="http://scienceblogs.com/bioephemera/2011/01/12/octochair3.jpg" width="520" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;i&gt;The Octopus Chair by &lt;a href="http://www.maximoriera.com/"&gt;Maximo Riera&lt;/a&gt;.&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;i&gt;"the Octopus Chair places the animal and human being in harmony, where each is considered equal and one is not subject to the other. The octopus is not decoration; it is as intrinsic to the chair as the person sat upon it."&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;Read more on the Octopus throne &lt;a href="http://scienceblogs.com/bioephemera/2011/01/octopus_throne_when_a_four-leg.php"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-156883110533186923?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/156883110533186923/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/bioephemera-blog.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/156883110533186923'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/156883110533186923'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/bioephemera-blog.html' title='The Bioephemera Blog'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3257263727696571600</id><published>2011-01-29T17:52:00.007+02:00</published><updated>2011-04-11T11:52:32.685+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Exhibition'/><category scheme='http://www.blogger.com/atom/ns#' term='Writing'/><category scheme='http://www.blogger.com/atom/ns#' term='Collection'/><category scheme='http://www.blogger.com/atom/ns#' term='Resource'/><category scheme='http://www.blogger.com/atom/ns#' term='Material'/><title type='text'>Paper, Leather, Clay &amp; Stone</title><content type='html'>&lt;div style="text-align: justify;"&gt;This is &lt;a href="http://rmc.library.cornell.edu/Paper-exhibit/"&gt;a really great online exhibition, put together by Cornell University&lt;/a&gt;, which takes you through the history of writing based upon the materials that were used for such a purpose. The index page is built as a very simple to navigate table which takes you to all of the illustrated sub-sections which also provide short but excellent explanatory texts.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://rmc.library.cornell.edu/Paper-exhibit/images/E3856_0006.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="308" src="http://rmc.library.cornell.edu/Paper-exhibit/images/E3856_0006.jpg" width="490" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;Cuneiform tablets. Produced in the city-states of Ur, Erech, and Babylon. Late third and early second millenia bce.&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://rmc.library.cornell.edu/Paper-exhibit/images/dead.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="100" src="http://rmc.library.cornell.edu/Paper-exhibit/images/dead.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;"The Book of the Dead". Egypt, ca. 332-30 BCE.&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://rmc.library.cornell.edu/Paper-exhibit/images/E3856_0023.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="350" src="http://rmc.library.cornell.edu/Paper-exhibit/images/E3856_0023.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;"The Jade book". Ch'ing Shêng-tsu, Emperor of China. Reigned 1662-1722. &lt;/i&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://rmc.library.cornell.edu/Paper-exhibit/images/E3856_0035.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="350" src="http://rmc.library.cornell.edu/Paper-exhibit/images/E3856_0035.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt; &lt;/i&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;&amp;nbsp;Denis Diderot. 1713-1784. "Encyclopédie, ou, Dictionnaire raisonné des sciences, des arts, et des métiers". Paris: Braisson and others, 1751-1780.&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3257263727696571600?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3257263727696571600/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/paper-leather-clay-stone.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3257263727696571600'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3257263727696571600'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/paper-leather-clay-stone.html' title='Paper, Leather, Clay &amp; Stone'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-4314672177166267391</id><published>2011-01-29T17:33:00.005+02:00</published><updated>2011-04-11T11:52:44.634+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Nostalgia'/><category scheme='http://www.blogger.com/atom/ns#' term='Vintage'/><category scheme='http://www.blogger.com/atom/ns#' term='Modernism'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Post WW2'/><category scheme='http://www.blogger.com/atom/ns#' term='Resource'/><category scheme='http://www.blogger.com/atom/ns#' term='Opensourced'/><title type='text'>The Prelinger Archive</title><content type='html'>The famous Prelinger archive is a collection of over 2000 vintage videos which are opensourced, so they can be used for teaching purposes, also in studio art classes:&lt;br /&gt;&lt;a href="http://www.archive.org/details/prelinger" target="_blank"&gt;http://www.archive.org/details/prelinger&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-4314672177166267391?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/4314672177166267391/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/prelinger-archive.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/4314672177166267391'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/4314672177166267391'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/prelinger-archive.html' title='The Prelinger Archive'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-4326161815252417052</id><published>2011-01-29T16:59:00.007+02:00</published><updated>2011-04-11T11:52:57.378+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Pentagram'/><category scheme='http://www.blogger.com/atom/ns#' term='Modernism'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Postmodernism'/><category scheme='http://www.blogger.com/atom/ns#' term='Paula Scher'/><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary'/><title type='text'>Paula Scher gets serious</title><content type='html'>A &lt;a href="http://www.ted.com/talks/paula_scher_gets_serious.html" target="_blank"&gt;great video&lt;/a&gt; on the TED website by &lt;a href="http://www.pentagram.com/partners/#/19/" target="_blank"&gt;Paula Scher&lt;/a&gt; from &lt;a href="http://www.pentagram.com/" target="_blank"&gt;Pentagram&lt;/a&gt; about solemn and serious design.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;"Paula Scher looks back at a life in design (she's done album covers,  books, the Citibank logo ...) and pinpoints the moment when she started  really having fun. Look for gorgeous designs and images from her legendary career." &lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Again, the video is &lt;a href="http://www.ted.com/talks/paula_scher_gets_serious.html" target="_blank"&gt;here.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-4326161815252417052?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/4326161815252417052/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/paula-scher-gets-serious.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/4326161815252417052'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/4326161815252417052'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/paula-scher-gets-serious.html' title='Paula Scher gets serious'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-5635400390460780594</id><published>2011-01-29T16:57:00.002+02:00</published><updated>2011-04-11T11:53:13.016+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Victoriana'/><category scheme='http://www.blogger.com/atom/ns#' term='Industrial Revolution'/><category scheme='http://www.blogger.com/atom/ns#' term='Objects'/><category scheme='http://www.blogger.com/atom/ns#' term='19th Century'/><title type='text'>Great-great-great-granddaddy's typewriter</title><content type='html'>&lt;a href="http://www.designersfood.com/typeart/hammonia-typewriter-1884/" target="_blank"&gt;&lt;img class="alignnone" style="margin:0;" title="typewriter" src="http://www.designersfood.com/wp-content/uploads/2011/01/4c37f66ff8104bd8.jpg.jpg" alt="" width="490" height="480" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;reblogged from &lt;a href="http://www.designersfood.com/typeart/hammonia-typewriter-1884/" target="_blank"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Great blog altogether by the way: &lt;a href="http://www.designersfood.com/" target="_blank"&gt;http://www.designersfood.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-5635400390460780594?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/5635400390460780594/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/great-great-great-granddaddys.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5635400390460780594'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5635400390460780594'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/great-great-great-granddaddys.html' title='Great-great-great-granddaddy&apos;s typewriter'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-1183662154966440754</id><published>2011-01-29T04:25:00.016+02:00</published><updated>2011-04-11T11:53:24.453+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Nostalgia'/><category scheme='http://www.blogger.com/atom/ns#' term='Vintage'/><category scheme='http://www.blogger.com/atom/ns#' term='Advertising'/><category scheme='http://www.blogger.com/atom/ns#' term='Modernism'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Post WW2'/><category scheme='http://www.blogger.com/atom/ns#' term='Ephemera'/><title type='text'>Vintage ads, and all sorts of other modernist ephemera...</title><content type='html'>&lt;div style="text-align: justify;"&gt;... is brought to us by &lt;a href="http://www.flickr.com/photos/clotho98/sets/72157617694416574/"&gt;clotho98&lt;/a&gt;: A truly great repository of in-your-face modernist advertising design. I absolutely love it! clotho's interests also cover Victoriana and Art Deco. She has separated her collection into various categories and I will definitely be tackling some of the others later. For now, &lt;a href="http://www.flickr.com/photos/clotho98/sets/72157617694416574/"&gt;get a load of this lot&lt;/a&gt;:&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm3.static.flickr.com/2529/3776437393_b92e6225f4.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="500" src="http://farm3.static.flickr.com/2529/3776437393_b92e6225f4.jpg" width="383" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm3.static.flickr.com/2770/4019747649_9c8e93b9d3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="500" src="http://farm3.static.flickr.com/2770/4019747649_9c8e93b9d3.jpg" width="349" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm4.static.flickr.com/3564/3601455266_cba1f434f9.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="500" src="http://farm4.static.flickr.com/3564/3601455266_cba1f434f9.jpg" width="378" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-1183662154966440754?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/1183662154966440754/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/vintage-ads-fashions-and-all-sort-of.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1183662154966440754'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1183662154966440754'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/vintage-ads-fashions-and-all-sort-of.html' title='Vintage ads, and all sorts of other modernist ephemera...'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm3.static.flickr.com/2529/3776437393_b92e6225f4_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-5178416408906297634</id><published>2011-01-29T04:10:00.010+02:00</published><updated>2011-04-11T11:53:40.778+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mehmed Siyah Qalem'/><category scheme='http://www.blogger.com/atom/ns#' term='15th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Oriental'/><category scheme='http://www.blogger.com/atom/ns#' term='Miniature'/><title type='text'>Mehmed Siyah Qalem</title><content type='html'>China, chinoiserie and Painting in Turkestan under the Timurids, ca. 1400: &lt;a href="http://www.ee.bilkent.edu.tr/%7Ehistory/turkis.html"&gt;http://www.ee.bilkent.edu.tr/~history/turkis.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.ee.bilkent.edu.tr/%7Ehistory/Pictures1/im37.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="355" src="http://www.ee.bilkent.edu.tr/%7Ehistory/Pictures1/im37.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.ee.bilkent.edu.tr/%7Ehistory/Pictures2/ul101.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="430" src="http://www.ee.bilkent.edu.tr/%7Ehistory/Pictures2/ul101.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I love the miniatures of Mehmed Siyah Qalem, or Mehmed of the Black Pen. Although Mehmed Siyah Qalem was a Turk from Central Asia his work is very strongly inspired by Chinese art, which was imported into Turkestan by the Mongol invasions at the times, as well as by the strong trade links between Eastern and Western Asia.&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-5178416408906297634?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/5178416408906297634/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/mehmed-siyah-qalem.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5178416408906297634'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5178416408906297634'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/mehmed-siyah-qalem.html' title='Mehmed Siyah Qalem'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3773990826217331072</id><published>2011-01-29T03:36:00.016+02:00</published><updated>2011-04-11T11:53:51.967+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='16th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Botanical illustration'/><category scheme='http://www.blogger.com/atom/ns#' term='18th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='17th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Collection'/><category scheme='http://www.blogger.com/atom/ns#' term='15th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Scientific illustration'/><title type='text'>On-line catalogue of digitized books of the Archbishop chateau in Kroměříž</title><content type='html'>This is a comprehensive collection of books, mostly on Botanics, dating from the late Medieval period to the 18th century with some really stunning illustrations: &lt;a href="http://digi.azz.cz/main.php?lng=2"&gt;http://digi.azz.cz/main.php?lng=2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://digi.azz.cz/Book001/images/Costus_arabicus_0001.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="710" src="http://digi.azz.cz/Book001/images/Costus_arabicus_0001.jpg" width="520" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="color: #999999; text-align: left;"&gt;&lt;i&gt;Icones Plantarum Rariorum (1), by Nicolaus Joseph Jacquin (1727-1817).&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://digi.azz.cz/Book017/images/010_pg006.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="745" src="http://digi.azz.cz/Book017/images/010_pg006.jpg" width="520" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;i&gt;Prodromos theatri botanici, by Casper Bauhin(1560–1624).&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://digi.azz.cz/Book024/images/010.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="660" src="http://digi.azz.cz/Book024/images/010.jpg" width="520" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="color: #999999; text-align: left;"&gt;&lt;i&gt;Le Jardinier Hollandois.../ Der Niederländische Gärtner...., by Jan van der Groen (ca 1635 - 1672).&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;This website also allows you to switch views between text only and image only folios, which does of course, make life a lot easier when you are doing a search.&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3773990826217331072?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3773990826217331072/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/on-line-catalogue-of-digitized-books-of.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3773990826217331072'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3773990826217331072'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/on-line-catalogue-of-digitized-books-of.html' title='On-line catalogue of digitized books of the Archbishop chateau in Kroměříž'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-3900952630400944495</id><published>2011-01-29T03:24:00.015+02:00</published><updated>2011-04-11T11:54:03.440+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Age of the Enlightenment'/><category scheme='http://www.blogger.com/atom/ns#' term='Anatomical illustration'/><category scheme='http://www.blogger.com/atom/ns#' term='17th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='illustration'/><category scheme='http://www.blogger.com/atom/ns#' term='Scientific illustration'/><title type='text'>University of Toronto: Anatomia Collection</title><content type='html'>&lt;div style="text-align: justify;"&gt;Very nice collection of Anatomical Illustrations, can be accessed from here: &lt;br /&gt;&lt;a href="http://link.library.utoronto.ca/anatomia/application/index.cfm"&gt;http://link.library.utoronto.ca/anatomia/application/index.cfm&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;The two plates below are from &lt;a href="http://link.library.utoronto.ca/anatomia/application/book_description.cfm?platenum=RBAI077-0268&amp;amp;book_id=RBAI077&amp;amp;plate_id=0001&amp;amp;size=0&amp;amp;query=RBAI077-0268&amp;amp;searchtype=description&amp;amp;searchstrategy=all&amp;amp;startrow=1&amp;amp;gender=all&amp;amp;view=any&amp;amp;technique=chromolithography&amp;amp;colour=colour&amp;amp;sort=descriptive_title&amp;amp;photo=on&amp;amp;refine=no"&gt;"Traité complet de l'anatomie de l'homme" by Marc Jean Bourgery&lt;/a&gt; (1797-1849). The book was published in Paris in 1831-1854. However, this is by no means the only book to be found here: The collection is huge, with ninety-five individual titles represented, ranging in date from 1522 to 1867, one more beautiful than the other.&lt;/div&gt;&lt;br /&gt;&lt;a href="http://www.library.utoronto.ca/anatomical/RBAI077/0297-0-0.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="547" src="http://www.library.utoronto.ca/anatomical/RBAI077/0297-0-0.jpg" width="400" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.library.utoronto.ca/anatomical/RBAI077/0059-0-0.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="546" src="http://www.library.utoronto.ca/anatomical/RBAI077/0059-0-0.jpg" width="400" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-3900952630400944495?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/3900952630400944495/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/university-of-toronto-anatomia.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3900952630400944495'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/3900952630400944495'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/university-of-toronto-anatomia.html' title='University of Toronto: Anatomia Collection'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-6840518742447212835</id><published>2011-01-29T02:52:00.009+02:00</published><updated>2011-04-21T12:35:24.116+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Avantgarde'/><category scheme='http://www.blogger.com/atom/ns#' term='20th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Layout'/><category scheme='http://www.blogger.com/atom/ns#' term='Typography'/><category scheme='http://www.blogger.com/atom/ns#' term='Editorial Design'/><category scheme='http://www.blogger.com/atom/ns#' term='Dada'/><title type='text'>Dada Periodicals</title><content type='html'>A brilliant collection of Dada periodicals: &lt;a href="http://sdrc.lib.uiowa.edu/dada/collection.html"&gt;http://sdrc.lib.uiowa.edu/dada/collection.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://sdrc.lib.uiowa.edu/dada/391/5/images/00cover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="720" src="http://sdrc.lib.uiowa.edu/dada/391/5/images/00cover.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="color: #999999;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;cover for 391, by Francis Picabia.&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://sdrc.lib.uiowa.edu/dada/merz/7/images/70.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="750" src="http://sdrc.lib.uiowa.edu/dada/merz/7/images/70.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://sdrc.lib.uiowa.edu/dada/merz/8/images/81center.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="370" src="http://sdrc.lib.uiowa.edu/dada/merz/8/images/81center.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://sdrc.lib.uiowa.edu/dada/merz/4/images/38.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="480" src="http://sdrc.lib.uiowa.edu/dada/merz/4/images/38.jpg" width="309" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="color: #999999;"&gt;&lt;i&gt;3 Above: Merz pages by Kurt Schwitters, the central image is a centerfold from issue 8/9, which was actually designed by El Lissitzky.&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;Also on this site are lot of page reproductions of poetry books by Dadaist poets ranging from Eluard to Tristan Tzara; as well as pages from an &lt;a href="http://sdrc.lib.uiowa.edu/dada/expo_dada_ernst/index.htm"&gt;exhibition catalog of Max Ernst's work&lt;/a&gt; (below).&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://sdrc.lib.uiowa.edu/dada/expo_dada_ernst/images/06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="623" src="http://sdrc.lib.uiowa.edu/dada/expo_dada_ernst/images/06.jpg" width="397" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-6840518742447212835?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/6840518742447212835/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/dada-periodicals.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6840518742447212835'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/6840518742447212835'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/dada-periodicals.html' title='Dada Periodicals'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-1323235604017672635</id><published>2011-01-29T02:26:00.010+02:00</published><updated>2011-04-11T11:54:24.649+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Incunabula'/><category scheme='http://www.blogger.com/atom/ns#' term='15th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Layout'/><category scheme='http://www.blogger.com/atom/ns#' term='Renaissance'/><title type='text'>Incunabula Collection</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.ndl.go.jp/incunabula/e/index.html"&gt;http://www.ndl.go.jp/incunabula/e/index.html&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Probably the best collection of Icunabula to be found online - at least that I am aware of. Not only many superb quality images but also &lt;a href="http://www.ndl.go.jp/incunabula/e/chapter1/index.html"&gt;very good explanatory text&lt;/a&gt;. The collection mostly concentrates on full text pages (with relatively few images); which I find particularly fascinating since there are so many similarities that one can pinpoint between contemporary, typographically based page layouts and these stunning samples of book design.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.ndl.go.jp/incunabula/large_images/0002_l.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="720" src="http://www.ndl.go.jp/incunabula/large_images/0002_l.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.ndl.go.jp/incunabula/large_images/0023_l.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="600" src="http://www.ndl.go.jp/incunabula/large_images/0023_l.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-1323235604017672635?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/1323235604017672635/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/incunabula-collection.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1323235604017672635'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/1323235604017672635'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/incunabula-collection.html' title='Incunabula Collection'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-5418318941429671250</id><published>2011-01-29T02:14:00.006+02:00</published><updated>2011-04-11T11:54:34.582+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Flickr'/><category scheme='http://www.blogger.com/atom/ns#' term='Collection'/><category scheme='http://www.blogger.com/atom/ns#' term='Typography'/><title type='text'>Litterae Antiquae</title><content type='html'>A Flickr group, the description of which reads: &lt;i&gt;"Officially, the phrase "littera antiqua", or "the ancient letter", was used by the humanists in the 15th century to describe a style of calligraphy or lettering found on the manuscripts which they wrongly believed had been written by the Romans. I've taken some liberties, with the phrase, but hope the spirit of the idea will remain.&lt;br /&gt;&lt;br /&gt;This group will be dedicated to letters, carved and otherwise, from our travels around the world from the days before signs and wayfinding were populated by neon and lights."&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;What has come about is a really great collection of images covering antique typographic material from carved inscriptions to rare books.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm2.static.flickr.com/1202/1363239815_bbe508c260.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="333" src="http://farm2.static.flickr.com/1202/1363239815_bbe508c260.jpg" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm4.static.flickr.com/3621/3306069014_6e6bd60a8b.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="500" src="http://farm4.static.flickr.com/3621/3306069014_6e6bd60a8b.jpg" width="352" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://farm4.static.flickr.com/3453/3296549170_e7f0c3d1a6.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="500" src="http://farm4.static.flickr.com/3453/3296549170_e7f0c3d1a6.jpg" width="382" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-5418318941429671250?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/5418318941429671250/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/litterae-antiquae.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5418318941429671250'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/5418318941429671250'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/litterae-antiquae.html' title='Litterae Antiquae'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm2.static.flickr.com/1202/1363239815_bbe508c260_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4062454869920154594.post-329904350631671916</id><published>2011-01-29T00:53:00.008+02:00</published><updated>2011-04-11T11:54:45.628+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='16th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Age of the Enlightenment'/><category scheme='http://www.blogger.com/atom/ns#' term='Archive'/><category scheme='http://www.blogger.com/atom/ns#' term='18th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='17th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Rare Books'/><category scheme='http://www.blogger.com/atom/ns#' term='Manuscript'/><category scheme='http://www.blogger.com/atom/ns#' term='15th Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Geofroy Tory'/><category scheme='http://www.blogger.com/atom/ns#' term='Baroque'/><category scheme='http://www.blogger.com/atom/ns#' term='Renaissance'/><category scheme='http://www.blogger.com/atom/ns#' term='Albert Duerer'/><title type='text'>The Rare Book Room</title><content type='html'>A fabulous &lt;a href="http://www.rarebookroom.org/"&gt;collection of rare books&lt;/a&gt;. The site seems to have utilized the high quality digitized facsimiles of rare and precious books, originally undertaken by the &lt;a href="http://www.octavo.com/"&gt;Octavo Press&lt;/a&gt;. Sadly, Octavo's books are no longer visible online, and the Rare Book Room also only allows you to view a book but not to download it or to link the images themselves. &lt;br /&gt;&lt;br /&gt;These restrictions duly noted, this site is still most definitely worth a visit! Books found here include &lt;a href="http://www.rarebookroom.org/Control/duruwm/index.html"&gt;Albert Duerer's "De Symmetria" and "Underweysung der Messung"&lt;/a&gt; from 1538; &lt;a href="http://www.rarebookroom.org/Control/bodtip/index.html"&gt;Bodoni's "Manuale Tipografico"&lt;/a&gt; from 1818, &lt;a href="http://www.rarebookroom.org/Control/trychf/index.html"&gt;Geofroy Tory's "Champ Fleury"&lt;/a&gt; from 1529; and &lt;a href="http://www.rarebookroom.org/Control/mdlwrn/index.html"&gt;Jean Midolle's "Album du Moyen Age"&lt;/a&gt; from 1837. And many many more...&lt;br /&gt;&lt;br /&gt;....................................................................................................................................&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4062454869920154594-329904350631671916?l=visualcommunicationhistory.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visualcommunicationhistory.blogspot.com/feeds/329904350631671916/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/welcome-to-this-blog.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/329904350631671916'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4062454869920154594/posts/default/329904350631671916'/><link rel='alternate' type='text/html' href='http://visualcommunicationhistory.blogspot.com/2011/01/welcome-to-this-blog.html' title='The Rare Book Room'/><author><name>Elif Ayiter</name><uri>http://www.blogger.com/profile/03113492369895704024</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp0.blogger.com/_7nBdDZYO-RM/SCh5S5nP3yI/AAAAAAAAAAM/3KxAX71Rr4A/S220/elif.jpg'/></author><thr:total>0</thr:total></entry></feed>
